A Quote by Alexandre Desplat

I played the piccolo in the 'Ides of March' and 'The Fantastic Mr. Fox' score. — © Alexandre Desplat
I played the piccolo in the 'Ides of March' and 'The Fantastic Mr. Fox' score.
His [Pitt's] successor as prime minister was Mr. Addington, who was a friend of Mr. Pitt, just as Mr. Pitt was a friend of Mr. Addington; but their respective friends were each other's enemies. Mr. Fox, who was Mr. Pitt's enemy (although many of his friends were Mr. Pitt's friends), had always stood uncompromisingly for peace with France and held dangerously liberal opinions; nevertheless, in 1804, Mr. Fox and Mr. Pitt got together to overthrow Mr. Pitt's friend Mr. Addington, who was pushing the war effort with insufficient vigor.
Beware the ides of March.
The Ides of March? That doesn't worry me.
Before I forget ...Beware the Ides of March.
The Ides of March was a fairly cynical film.
'The Ides of March' was a fairly cynical film.
The ides of March are come. Soothsayer: Ay, Caesar; but not gone.
Again, during a sacrifice, the augur Spurinna warned Caesar that the danger threatening him would not come later than the Ides of March.
I remember I had scenes with Melinda McGraw in "Ides Of March" that I didn't have in "Video Vigilante," but I can't quite picture that other character. But it was Vancouver, and that year was crazy
When you look at a film like 'The Ides of March' or 'Good Night, and Good Luck' even, those are really contained pictures.
Tottenham have always played fantastic football. I remember watching them many years ago when I was younger, and they'd concede three but they'd score four.
On Fantastic Mr. Fox, I got used to working with animated storyboards as a way of planning for the shoot. We did a lot of sequences that way with this movie. Partly as a result of that, I decided to build more sets in order to do certain shots.
I guess I like Piccolo the most after all. Out of all the enemies, Piccolo Daimao is the one I like most, and even after that, I like Piccolo the most.
'Ides of March' I did for scale - scale as a director, scale as an actor, scale as a writer.
George Clooney's 'Ides of March' could be the most under-appreciated movie of the year. In 20 years they're gonna go back and say, 'Oh, that was American politics in that time period.' I follow politics, I love it, and that movie is so authentic.
Even when he transposes Roald Dahl's 'Fantastic Mr. Fox,' he injects so much of his own personality and his own world that it becomes a Wes Anderson story, and you forget that Roald Dahl is behind the story. That's the proof of great directors to be able to digest and recreate sometimes a classic.
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