A Quote by Alexandre Desplat

I never dreamed of writing for concert or opera. I always dreamed, if I was a composer, to write music for films. — © Alexandre Desplat
I never dreamed of writing for concert or opera. I always dreamed, if I was a composer, to write music for films.
I dreamed I spoke in another's language, I dreamed I lived in another's skin, I dreamed I was my own beloved, I dreamed I was a tiger's kin. I dreamed that Eden lived inside me, And when I breathed a garden came, I dreamed I knew all of Creation, I dreamed I knew the Creator's name. I dreamed--and this dream was the finest-- That all I dreamed was real and true, And we would live in joy forever, You in me, and me in you.
I was very young, maybe five. The opera was very... I was attracted to opera to the point that I think it's the reason I started to write music for films. I never studied. There are film and music school that teach you how to write music. I never studied that. But the influence of opera, which is a combination of storyline, visuals, staging, plus music... that was perhaps the best school I could have had. That's what gave me the idea of coming to Hollywood to write music for films.
When I was a little girl, I always dreamed of being a country music singer, but I never dreamed I'd be a member of the Grand Ole Opry.
I've always loved opera; it never occurred to me that I would write a proper libretto. One of my closest friends is a composer, Paul Moravec, and a few years ago, Paul and I were at lunch, and I said to him, "you really have to write an opera." So, he says very casually to me, "I'll do it if you write the libretto." Well, little did I know that the within a couple of years we would end up getting a commission from the Santa Fe Opera to write an opera together, "The Letter," which turned out to be the most successful commissioned opera in the history of the Santa Fe Opera.
When I was a teenager, I dreamed of being an opera singer like Maria Callas or a jazz singer like June Christy or Chris Connor, or approaching songs with the kind of mystical lethargy of Billie Holiday, or championing the downtrodden like Lotte Lenya. But I never dreamed of singing in a rock-and-roll band.
I was never a girl who dreamed about what her wedding day would be like, but I've always dreamed about decorating my baby's nursery.
I always kind of dreamed locally - I never really ever dream that I would be south of the border; I dreamed about being a theatre star in Toronto, and maybe I'd do Stratford and regional stuff. I always thought it would be a slow growth.
I always dreamed, when I started writing music, to find a way of immersing yourself in it.
As a youngster, I never dreamed there could be a career actually earning a living writing music.
Film writing and concert writing are two very different things. In film writing I am serving the film and it tells you what to write. I have to stay within the parameters of the film. In writing concert music for the stage I can write anything I want and in this day and modern age rules can be broken.
It is better to have dreamed a thousand dreams that never were than never to have dreamed at all.
I always dreamed of being a voice in a Disney movie, and even in those dreams, I never once dreamed of being a princess. I just wanted to be a voice.
My pieces usually are programmed on concerts in which the other works are standard repertoire. My music always sounds very different when it's on a concert of all contemporary music. It always seems to stick out at an odd angle. This also makes me think of a question I sometimes debate with my friends: does the music of a composer directly reflect that composer's personality? This is a difficult one, but I think it usually does.
A man may not achieve everything he has dreamed, but he will never achieve anything great without having dreamed it first.
Writing songs is no different than explaining to somebody what you dreamed last night: No one ever gives you crap for what you dreamed last night. "I was laying in my bed, and all of a sudden a stallion jumped on my bed and the next thing I know I was in Mars but it looked like my kitchen"... That's kind of what I do with my songs, write them in a dream-like manner. It's up to people to swallow it however they want.
I've fondly dreamed of becoming the face of an important brand since I was a child, in the same way that others dream of becoming an astronaut. I dreamed of this as I first and foremost dreamed of becoming an actor and would look up at these huge posters of celebrities while driving along motorways or crossing under bridges.
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