A Quote by Alexandre Desplat

To this day, I still travel with scores. Every time I'm on a plane - it could be Stravinsky or Mozart or Ravel. — © Alexandre Desplat
To this day, I still travel with scores. Every time I'm on a plane - it could be Stravinsky or Mozart or Ravel.
On my mental iPod, I always have Stravinsky and Ravel.
I've learned a lot from the masters of orchestration, like Ravel and Stravinsky.
Whenever I travel, I seem to get sick - it's probably inevitable when you're on a plane every single day.
I think I live inside the plane! I never have time to unpack; I'm always leaving in two days again. I travel a lot, and at the beginning it was really fun. The first time I went inside a plane, I was 15 years old and I had so much fun. I like to travel all over the world and learn [about] new cultures. Not that many people have the opportunity to do that.
Okay, I'm going to let you in on a little secret: I'm a very superstitious person. I'm walking onto the plane as we speak. I'm putting my hands on the outside of the plane and my feet are on the lip of the plane. I have to do it every time before I fly.
When I was in NXT, I was still training every day. I was still in the ring every day and working every live event. And just because I wasn't on shows that were taped for NXT TV, I don't think people knew what skills I could do.
What we did is we went on those parabolic flights, which people like to call the vomit comet. Basically, the plane throws you up into the air and catches you. And for about 30 seconds, you feel like there's no gravity. So what we did was we did a series of eight of those in a row. And every time we landed, we stayed perfectly still for the five minutes in between while the plane is setting up so that we could just continue the routine where we had left off. So the final video you see is all one take. And we seem to be weightless the entire time.
If you could just ravel out into time. That would be nice. It would be nice if you could just ravel out into time
Background scores allow me an absolute flight of the imagination, and I travel in my mind's eye. I do not like the scores to have vocal notes, because they act as a limitation to these flights of fancy.
Bernard Herrmann used to write all his scores by himself. So did Bach, Beethoven and Stravinsky. I don't understand why this happens in the movie industry.
The composer Stravinsky had written a new piece with a difficult violin passage. After it had been in rehearsal for several weeks, the solo violinist came to Stravinsky and said he was sorry, he had tried his best, the passage was too difficult, no violinist could play it. Stravinsky said, 'I understand that. What I am after is the sound of someone trying to play it.'
Bernard Herrmann used to write all his scores by himself. So did Bach, Beethoven and Stravinsky. I dont understand why this happens in the movie industry.
You can practice for 30 years and still not be a Mozart. The most lethal combination would be a Mozart who practiced for thousands of hours.
I did what I could to keep up the ruse. I was travelling quite a bit, so any opportunity I could, I would travel through Atlanta and stay a day or so. I'd make sure I was 'seen' in some of Atlanta's restaurants. And I dyed my hair the whole time, every two weeks, to keep the haircut.
Time travel is always more magical somehow when you go into the past. Traveling into the future is something you do, every day. You're just not going to get very far. So, I rather like the past travel.
If you've never heard a piece of Mozart, then Mozart could sound scary or confusing, so it's all about learning.
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