A Quote by Alexandre Desplat

It's not about what's a good or bad score at the Oscars, rather what's exposed to the ears more. — © Alexandre Desplat
It's not about what's a good or bad score at the Oscars, rather what's exposed to the ears more.
People say an Oscar validates your career. No, it doesn't. There's more good actors without Oscars than there are with Oscars.
When it comes to partisan politics, everyone is a hypocrite. And all they care about is whether it hurts or helps them ... Is it good or bad for the Democrats? Is it good or bad for the Republicans? Is it good or bad for Jews, or good or bad for blacks, or is it good or bad for women? Is it good or bad for men? Is it good or bad for gays? That's the way people think about issues today. There is very little discussion of enduring principles.
Does film music really matter to the average moviegoer? A great score, after all, can't save a bad film, and a bad score - so it's said - can't sink a good one.
'Slumdog Millionaire' was as good or as bad any Bollywood film. If I had to rate it, I would give it just 5.5 points out of 10. Unlike others, I am not gung-ho about the film winning so many Oscars. Yes, I am happy that I was a part of the project, but I am yet to figure out why it got so many Oscars.
At least, not in this country,' she added after a moment's thought. 'In China it's a little different. Once I saw a Chinaman in Shanghai. His ears were so big he could use them for a raincoat. When it rained, he just crept in under his ears and was warm and snug as could be. Not that the ears had such a rattling good time of it, you understand. If it was specially bad weather, he'd invite friends and acquaintances to pitch camp under his ears too. There they sat, singing their sorrowful songs while it poured down outside.
To view your life as blessed does not require you to deny your pain. It simply demands a more complicated vision, one in which a condition or event is not either good or bad but is, rather, both good and bad, not sequentially, but simultaneously.
I'm the competitor, I'm the one who has to wear the brunt of that being a good or bad score. And I'm not too worried about it. I don't know why so many are to be honest with you.
My golf score is really bad. I don't know. I'm definitely not a good golfer. Off the tee box, I can drive it about 275, and I'm in the fairway about 99% of the time. It's my next shot that needs work.
I have found that by looking at what is rewarded and punished, and why, universally - i.e., in nature as well as in humanity - I have been able to learn more about what is "good" and "bad" than by listening to most people's views about good and bad.
A successful poem says what a poet wants to say, and more, with particular finality. The remarks he makes about his poems are incidental when the poem is good, or embarrassing or absurd when it is bad and he is not permitted to say how the good poem is good, and may never know how the bad poem is bad. It is better to write about other people's poetry.
Our children are exposed to 10, 20, 30 times the number of words that our great-grandfathers were exposed to. We're exposed in a single day or two to more horror on our Internet Web pages than our great-grandfathers were exposed to in decades of living. We have not created modern minds for that modern world. Science and technology has just dumped it on us. And I think people yearn for it. I think you see it in what's popular. Why are people wanting to learn about meditation and talking about a purpose-driven life? It's because they know more is needed in the modern world.
To me, score is really important. I would rather not have any score if it's something that's going to detract from the film. So often when I watch films, the score is what really bothers me.
What is good about Good Friday? Why isn't it called Bad Friday? Because out of the appallingly bad came what was inexpressibly good. And the good trumps the bad, because though the bad was temporary, the good is eternal.
Your business is never really good or bad 'out there.' Your business is either good or bad right between your own two ears.
I was living in London and I thought, 'There's nothing here for me anymore.' I don't want to become this actor who's going to be doing this occasional good work in the theater and then ever diminishing bad television. I thought I'd rather do bad movies than bad television because you get more money for it.
we drove on and on, past little villages and both good things and bad things were happening to the people in those villages too, but I still was nothing but arms and ears and eyes and maybe there'd be either some good luck for me or more death tomorrow.
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