A Quote by Alexandre Desplat
My education as a film composer, you can't not - if you like the orchestra like I do, if you are a symphonist like I am - you can't not listen to John Williams' work.
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Because in both TV and film every story under the sun is being told, and so music shouldn't be restricted to have to follow, like, the John Williams template or something. I love John Williams, but that sound doesn't suit every story.
Performing the American Music Awards and having Harrison Ford introduce you behind the John Williams orchestra for Star Wars, and then Meghan Trainor is in the front just standing up and like, 'I love you guys!' That was a huge moment.
I think there has never ever been a career like John Williams'. That whole 'Jaws' phenomenon - there's nobody that knows how to use music like Spielberg, and John is just the perfect analog to Spielberg.
I'm not interested in having an orchestra sound like itself. I want it to sound like the composer.
There's Carol like a rolling car, And Martin like a flying bird, And Adam like the Lord's First Word, And Raymond like the Harvest Moon, And Peter like a piper's tune, And Alan like the flowing on Of water. And there's John, like John.
In a way, the highest praise you could give to a composer like Bach was to take and make your own arrangement; it was sort of an homage to that composer and to his work, so it wasn't considered sacrilegious to do something like that.
it's important as a composer to sit in silence and imagine these complex musical worlds in your head, but it's also a wonderful experience to touch your music and to hear it and hear it in the room with you and to say, you can't have an entire orchestra there, but you'd kind of like to have the orchestra there.
My wife Elizabeth and I started The Really Terrible Orchestra for people like us who are pretty hopeless musicians who would like to play in an orchestra. It has been a great success. We give performances; we've become the most famous bad orchestra in the world.
John loved celebrity. We attended an American Film Institute dinner honoring James Cagney, and the room was filled with famous actors like Mae West, Kirk Douglas, John Wayne and Steve McQueen. John was like a kid in a candy store.
My wife Elizabeth and I started The Really Terrible Orchestra for people like us who are pretty hopeless musicians who would like to play in an orchestra. It has been a great success. We give performances; weve become the most famous bad orchestra in the world.
Because of John Williams, I began collecting all kinds of film scores. I listened to them when I fell asleep, and it was through my obsessive listening that I learned what all the different parts of the orchestra were. I learnt a great deal from him by just simply listening.
I mainly listen to the music that's playing during movies. It can be the theme to 'Pirates of the Caribbean,' 'The Equalizer,' stuff like that. I like the blend of orchestra with modern instrumentation. It's something that I've wanted to do.
I usually like to introduce the film and the music with the opening titles. It's a great help for a composer to bring the audience into the work that we're going into.
Williams really does feel like a family, and I have built up very good relationships with people here; in fact, some of my best friends work for Williams. A friendly atmosphere can really help on the track as well because I feel like I can communicate freely with the team.
I feel I'm most successful when I'm playing a concert, and it doesn't necessarily seem like I'm playing a saxophone but am coming off more like an orchestra or something like that.
I tried to bring in the live orchestra like Bjork does. I love the feeling that that music gives me when I just listen to it. I mean it would be awesome to do an entire record like that. But unfortunately that's not my style. So rather than do a record like that I just got inspired by it.
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