A Quote by Alexandre Desplat

I've always loved mixing Middle Eastern instruments into a classical orchestra. — © Alexandre Desplat
I've always loved mixing Middle Eastern instruments into a classical orchestra.
A well-rounded performer will listen to all kinds of music. I like classical, Middle Eastern, and rock a lot.
I was in orchestra in high school, but I really started when a friend of mine who's a drummer showed me some things. I was always just really fascinated with drums, it was the instrument I was always drawn towards. My ear sort of went to rhythmic aspects of music and songs. But he really was the beginning point of starting me on drum sets; like I said, I was in the orchestra first and I was playing orchestral snare and mallet instruments first.
As long as we're tied to Middle Eastern oil we're tied to Middle Eastern politics. We're hostages to the terrorists and nutcases who want to wipe out Israel and the United States because we support Israel.
I think it's time that we had a dad of Middle Eastern descent on TV. The time is ripe for the Middle Eastern 'Cosby Show.' Or, as I like to call it, 'The Mazby Show.'
I've always been fascinated by music and sounds. I was lucky to receive proper classical training as an orchestra player and I'm always learning as a composer, looking to create new flavors and colors.
There's a really rough and relatively consistent hierarchy of concerns. My musical interests come first and principally my fascination with how notes and rhythms interlock. Then comes the technical side like programming, instruments and designing instruments. Next is production and mixing and beyond that I start to care less.
I've always said that I count myself as a classical crossover artist. To be so, you have to have the core classical training, which I did for many, many years, but also be interested in the pop side of things. You can fit in somewhere in the middle. I feel I do that really well.
I'm not really a knob-twiddler. I always work with an engineer; I'm not super hands-on when it comes to mixing boards and computers. I'm much more about what I'm hearing and what it needs to be like. I deal with songs and ideas and instruments.
The brain is more than an assemblage of autonomous modules, each crucial for a specific mental function. Every one of these functionally specialized areas must interact with dozens or hundreds of others, their total integration creating something like a vastly complicated orchestra with thousands of instruments, an orchestra that conducts itself, with an ever-changing score and repertoire.
In western classical music with an orchestra, you focus the orchestra on melodies and harmony. In African music, the biggest focus is on rhythms and counter-rhythms - the complexity of rhythms.
My father was able to play a number of musical instruments and I fell in love with classical music in my teens and I allowed it to influence me. I like to think I took and still do from classical music and various techniques, I have made classical albums and recorded seven different pieces of Bach on different albums and its all music too me.
I like big shows, a lot of volume and a lot of energy. I love electric instruments. But I do love mixing those with bluegrass instruments and cranking those up, too, with a little bit of that rock energy.
Belarus is not the Middle East. The policies of Belarussian and Middle Eastern leaders are cardinally different from one another.
Being from a classical environment, I've always been provoked by classical musicians thinking that classical music is so much greater art than pop. I've always been annoyed by that.
Christianity was literally born in the Middle East, and we must not forget our Middle Eastern brothers and sisters in Christ.
There's always that possibility. But, it would take a hell of a lot of work. Because unlike a movie where you just have to do a little ADR and then some mixing, we've actually got to bring the orchestra back because there is music, as you probably noticed, right the way through the film so you have to orchestrate all of that extra time.
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