A Quote by Alexandria Ocasio-Cortez

There is no such thing as talking about class without there being implications of the racial history of the United States. You just can't do it. — © Alexandria Ocasio-Cortez
There is no such thing as talking about class without there being implications of the racial history of the United States. You just can't do it.
The United States is a special case, and for me, very interesting. It's studied carefully and we know a lot about it. One of the most striking features of the elections is the class-based character of the vote. Now, class is not discussed or even measured in the United States. In fact, the word is almost obscene, except for the term "middle class." And you can't get exact class data; the census doesn't even give class data. But you can sort of see the significance of it just from income figures.
I've always been interested in history, but they never taught Negro history in the public schools...I don't see how a history of the United States can be written honestly without including the Negro. I didn't [paint] just as a historical thing, but because I believe these things tie up with the Negro today. We don't have a physical slavery, but an economic slavery. If these people, who were so much worse off than the people today, could conquer their slavery, we can certainly do the same thing....I am not a politician. I'm an artist, just trying to do my part to bring this thing about.
The thing that I focus on because I don't think it gets enough attention is that among the world's major powers, there is still a nuclear balance of terror - I'm talking about between the United States and Russia, the United States and China.
The United States has written the white history of the United States. It now needs to write the black, Latino, Indian, Asian and Caribbean history of the United States.
We're talking about race. It's ideology, it's a mode of policy. It's a practice. And it intertwines with class in a very specific way to create something very distinctive that we see now being legitimated in the United States by fascists who absolutely are unapologetic about what they're saying.
The way Americans most understand the history of Latinos in this country, a lot of it is being told now through the lens of what's happening with the immigration debate. While that's an important debate that has security and moral implications, in my view, there's also a huge history of Latinos in the United States that's never been told.
We're talking about the lawyers for the United States of America. And I think it's very, very important that the lawyers be comfortable being very candid and open about their views on very sensitive issues affecting the United States.
I'm actually genuinely optimistic about the United States and what's possible in the United States. And when you're out here, you see Americans across racial and economic and socioeconomic lines working together. And you maybe get a little bit less cynical than when you sit in the seat of kind of the epicenter of it all.
I don't know how you talk about the founding of America, and what became of the United States, without talking about religious doctrine.
I think the United States and the secretary of State should be concerned about the poverty in this country - people without health insurance. The United States should stop being the empire and be concerned about other countries. You've got to be more worried about your own people.
At home in the states, I think there's a tendency in the states to go for the latest, greatest thing. The latest, greatest is the latest greatest. I think when you're talking about France, England, things like that, they look for the history of an artist and they go back when it comes to music like this anyway. They will go back a little bit further. I think the United States is very knowledgeable and it's a good place to play.
When I say Afro-American aesthetic, I'm not just talking about the United States, I'm talking about the Americas. People in the Latin countries read my books because they share the same international aesthetic that I'm into and have been into for a long time. And it's multicultural.
The history of mankind is a history of the subjugation and exploitation of a great majority of people by an elite few by what has been appropriately termed the 'ruling class'. The ruling class has many manifestations. It can take the form of a religious orthodoxy, a monarchy, a dictatorship of the proletariat, outright fascism, or, in the case of the United States, corporate statism. In each instance the ruling class relies on academics, scholars and 'experts' to legitimize and provide moral authority for its hegemony over the masses.
As important as the presidency is, that's not the only thing to take a look at in determining the racial health of the United States.
You know, without China there is no Wal-Mart and without Wal-Mart there is no middle class and lower class prosperity in the United States.
Class is rarely talked about in the United States; nowhere is there a more intense silence about the reality of class differences than in educational settings.
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