A Quote by Alexei Sayle

I did six series for the BBC and that was enough. I've been writing for ten years, which is more challenging artistically. — © Alexei Sayle
I did six series for the BBC and that was enough. I've been writing for ten years, which is more challenging artistically.
There are innumerable writing problems in an extended work. One book took a little more than six years. You, the writer, change in six years. The life around you changes. Your family changes. They grow up. They move away. The world is changing. You're also learning more about the subject. By the time you're writing the last chapters of the book, you know much more than you did when you started at the beginning.
Writing a film - more precisely, adapting a book into a film - is basically a relentless series of compromises. The skill, the "art," is to make those compromises both artistically valid and essentially your own. . . . It has been said before but is worth reiterating: writing a novel is like swimming in the sea; writing a film is like swimming in the bath.
I've been doing short-form writing for a decade, and six years ago I signed with an agent, and we've been working on figuring out what my book would be. I was always so embarrassed that it took me so long to figure it out, but I think, in retrospect, I just wasn't ready to write a book six years ago. I wasn't confident enough as a writer and I wasn't coherent enough in my worldview. It just took this long for me to be a mature enough writer and be ready to do it.
What we did ten years ago with the Playstation was a phenomenal success story for the company. That product had a ten year life cycle, which has never been done in this industry.
I have been chief minister twice. In 1997 I was in office for six months, and during that period I did a lot of work, much more than what anybody can do in six years.
The story of Harold Fry and his unlikely pilgrimage began as an afternoon play for radio. For many years, I have been writing plays and adapting novels for 'Woman's Hour' and the 'Classic' series. So this was originally a three-hander play, broadcast one sunny afternoon on BBC Radio 4.
A lot of people want to know why did I leave the BBC: did I have an argument with them? No! I had 13 wonderful years. But it was time. Since I left university, I'd only ever worked for the BBC. It was simply time.
I would love to do regional cinema, provided the role is exciting enough and artistically challenging.
If you are not discouraged about your writing on a regular basis, you may not be trying hard enough. Any challenging pursuit will encounter frequent patches of frustration. Writing is nothing if not challenging.
To rise at six, to dine at ten, To sup at six, to sleep at ten, Makes a man live for ten times ten.
I have been in the series for over 3 years - 3 series. There will be a fourth series next year which of course I won't be in because I'm now dead. So in total I appeared in 25 episodes.
My first was in 1994 and it's ten years ago already. It's been ten years and I'm still around. I won a stage again, like I did last year and the year before.
I've been writing about Vermont independence for nearly ten years... and, more often than not, it was for an audience of one.
My first job was at the BBC but was really dull. I was working in the BBC's reference department, where I did a lot of filing. I had always been interested in films and theatre, so I thought that getting a job at the BBC would be a good idea, but the job was really mundane.
My personal experience has been that in my 25 years of writing, I have not been asked to do more than four or five commercial one-shot scripts. These were performed on major national hook-ups but produced for me no immediate additional jobs or requests. One script for BBC was done around the world with an all-star cast.
We are the same people as we were at three, six, ten or twenty years old. More noticeably so, perhaps, at six or seven, because we were not pretending so much then.
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