A Quote by Alexei Sayle

I've accentuated the look over the years. As a comic, you try something and if it works you go with it and grind it to death. — © Alexei Sayle
I've accentuated the look over the years. As a comic, you try something and if it works you go with it and grind it to death.
As a comic, you try something and if it works you go with it and grind it to death.
Many of my poems try to use a comic element to reach a place that isn't comic at all. The comic element works as a surprise. It is unexpected and energizing.
I think it's why we're able to look at with comic book stories or origin stories, why is it that we can keep retelling these stories over and over? And hopefully it's because it hits something so universal and so primal inside of us that we actually yearn for that same story over and over. But toned and different form, and updated and modernized, and I can go into the specifics.
In a sense, comic books are frozen movies. If you look at a comic book, you are generally seeing the storyboard for a film. The great advantage of comic books, over the years, has been that, if they are frozen movies, they are not limited by budget. They are only limited by imagination.
Over the years, I've learned that if you can just hang in there and, regardless of what's presented to you, take it as a challenge and try to bring in something fresh, then it works.
Growing up, I didn't have any comic books, at all. But my friend had a trunk full of them, so comic books were like candy for me. I would go over to his house for a sleep-over, and I would just be devouring everything I could get my hands on. I knew the sleep-over was going to be over, and I was going to go back to my house and it was going to be Kipling.
I had to realize that you can't try to get money, support yourself, and grind doing whatchu need to do at the same time. The music is the grind. You really gotta grind. You gotta find your way around. You can't be stuck tryna get there.
Superman has evolved continually in the comic books over the course of 75 years. He couldn't even fly for years in the original comic books. Kryptonite wasn't added until the '60s. All sorts of things like this. If a character is going to remain vital, he does have to change with the times.
If I were to take five comic books, from four different publishers and Marvel, and lay them out, even if you didn't know the characters, you would be able to take a look at that Marvel comic and go, 'That's Marvel.' There's something unique about the way the story is presented.
I look at my career and how I'm doing it now. I feel like there is something authentic in that process that I still try not to over manipulate. When I feel something, I try to listen to that.
Often you've read another poem that you think is so beautiful that you'd like to make something like that. And so you try to make a sonnet that works in a certain kind of way, or you try to make something that's songlike, or you create a refrain, or you love the way a poem works in two line stanzas and you try to do that.
When actors try new things, cinema also gains a lot from it. At the same time, the nature of the business is such that if something works, people offer the same thing to you over and over again.
Whenever I go to a new country, I always plan in advance. Before visiting the country, I have a look at a few videos: what works over there, what the home team does over there.
This is not to be cocky, but, I go over real well at Comic-Con. I've done quite a few Comic-Cons, and I enjoy the hell out of them. They are so much fun, and so bizarre. I've done the FX Show in Florida, Wizard-World in Chicago, Comic-Con in San Diego, Wonder-Con in San Francisco, the Comic-Con in New York, and I've done them numerous times.
I have classic and feminine taste. I'm definitely drawn to vintage-inspired and ladylike things. I like an accentuated waist, and a strong shoulder works well with my figure.
I am filled with hatred for money, for battleships, for industry, for factories, for the grind, grind, grind of the machine on all our creative instincts.
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