A Quote by Alexej von Jawlensky

The artist expresses only what he has within himself, not what he sees with his eyes — © Alexej von Jawlensky
The artist expresses only what he has within himself, not what he sees with his eyes
The artist should paint not only what he sees before him, but also what he sees within him. If, however, he sees nothing within him, then he should also refrain from painting that which he sees before him. Otherwise, his pictures will be like those folding screens behind which one expects to find only the sick or the dead.
He will see most without who has the best eyes within; and he who only sees with his bodily organs sees but the surface.
An artist is he who has his center within himself. He who lacks this must choose a particular leader and mediator outside of himself, not forever, however, but only at first. For man cannot exist without a living center, and if he does not have it within himself, he may seek it only in a human being. Only a human being and his center can stimulate and awaken that of another.
He who sees only what is before his eyes sees the worst part of every view.
In his attempt to develop the beauty he sees, the artist develops himself.
Nobody has any right to find life uninteresting or unrewarding who sees within the sphere of his own activity a wrong he can help to remedy, or within himself an evil he can hope to overcome.
Man knows himself only insofar as he knows the world, becoming aware of it if only within himself, and of himself self only within it. Each new subject, well observed, opens up within us a new organ of thought.
The child has a different relation to his environment from ours... the child absorbs it. The things he sees are not just remembered; they form part of his soul. He incarnates in himself all in the world about him that his eyes see and his ears hear.
He sees himself in his lover as if in a mirror, not knowing whom he sees, And when they are together, he too is released from pain, and when apart, he longs as he himself is longed for; for reflected in his heart is love's image, which is love's answer. But he calls it, and believes it, not love but friendship.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
The painter should paint not only what he has in front of him, but also what he sees inside himself. If he sees nothing within, then he should stop painting what is in front of him.
The creative artist seems to be almost the only kind of man that you could never meet on neutral ground. You can only meet him as an artist. He sees nothing objectively because his own ego is always in the foreground of every picture.
The creative artist seems to be almost the only kind of man that you could never meet on neutral ground. You can only meet him as an artist. He sees nothing objectively because his own ego is always in the foreground of every picture
Trump has a mind that in many ways is always under duress, because he's always seeking to be accepted, loved. He sees himself as constantly victimized by others and by the society, from which he sees himself as fighting back. So there's always an intensity to his destructive behavior that could contribute to his false beliefs.
Man can only be what he sees himself to be, and only attain what he sees himself attaining.
No man is an island- he is a holon. A Janus-faced entity who, looking inward, sees himself as a self-contained unique whole, looking outward as a dependent part. His self-assertive tendency is the dynamic manifestation of his unique wholeness, his autonomy and independence as a holon. Its equally universal antagonist, the integrative tendency, expresses his dependence on the larger whole to which he belongs: his 'part-ness.'.
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