A Quote by Alexey Brodovitch
If you see something you have seen before, don't click the shutter.
Related Quotes
It is more important to click with people than to click the shutter.
Never boss people around. It's more important to click with people than to click the shutter.
When your mouth drops open, click the shutter.
Sometimes I do get to places just when God's ready to have somebody click the shutter.
I wait for the next opportunity to have something to do with food. If I get rested, my mind just starts creating new dishes - click, click, click.
[The] arresting of time is photography's unique capacity, and the decision of when to click the shutter is the photographer's chief responsibility.
It's all about making an experience. You go to the movies to see something you've never seen before. You want to get different people out there with different voices. So you see awesome huge spectacle or just a small unbelievable story you've never seen before.
Charlotte, having seen his body Borne before her on a shutter, Like a well-conducted person, Went on cutting bread and butter.
You can experience the thrill of discovery, the incredible, visceral feeling of doing something no one has ever done before, see things no one has ever seen before, know something no one has ever known before. ... Welcome to science, you're gonna like it here.
Taking photographs can assuage the itch for possession sparked by the beauty of a place; our anxiety over losing a precious scene can decline with every click of the shutter.
I would say that the off-frame effect in photography results from a singular and definitive cutting-off which figures castration and is figured by the click of the shutter.
Every time we click the shutter, it's like a new day, a new chance to make a clean start, to be original. It's a very exciting and exhausting thing to do.
... photography, like all camera-made images such as film and video, effaces the marks of its making (and maker) at the click of a shutter. A photograph appears to be self-generated - as though it had created itself.
The thing is, if people get it right away, I just don't think you're making art. I think you're making something they're comfortable with. You have to challenge people. You know, it has to be new. It has to be something they haven't seen before. Just bring them something they haven't seen before. They aren't going to love it right away because they haven't seen it before. So they have to take a minute, you know?
Just because you've seen something doesn't mean you'll stop looking. There's always something you didn't see before.
Images flicker, each one bringing its own sorrow or its own smile. Sometimes both. At the very worst, an impenetrable and sightless black and at best, a happiness so bright that it hurts the eyes to see, coming and going on some unseen projector perpetually turned by an invisible hand. One, then another. The hollow click of the shutter. Now stop. Freeze this frame. Pluck it down and hold it close and be damned by what you see. Henri always said: the price of a memory is the memory if the sorrow it brings.
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