A Quote by Alexis Arguello

I'd take precision any day over power; as far as being tactical you know you have to see what's going on in there and also understand that for every punch that you or your opponent throws there's always a counter shot or two which you have to be ready to fire or defend.
When someone throws a power shot and you want to counter, you have to lean into it as you block it so that you can come right out with what you are throwing. If you roll away or lean back, it's going to knock you off balance, and you won't be able to counter the punch. Being able to do that comes from experience, and life is the same exact way.
Knowing your opponent is a crucial part of emulating and defeating that opponent. But scouting is only the first step. Too many leaders spend countless hours studying an opponent's every move in the search for an edge. The Great Teams understand not only how to scout but also how to exploit the weaknesses of a competitor. These teams analyze every perspective and option and position themselves to take full advantage of any knowledge gained about an opponent.
My true role is to get actors to understand what the camera is doing and what my intent is so they don't waste their good stuff on over-the-shoulder shots and wide shots. They need to know when we're going in to get something important, so they know to really go for it. No human being can give you 1,000 percent on every single take or shot, so you need to let them know what you're heading for. It's important that the actors know they're being looked after and being recorded in a way so they can do their best.
Boxing and chess are similar. It?s about the choice of means. Sometimes I need a pawn, a bishop or a knight to defeat my opponent. It?s about finding the best way. A good boxer has to be variable. He doesn?t just need to know how to punch. He must also know how to protect himself, how to defend, how to avoid the opponent?s punches. Only a complete fighter can become champion.
The story man must see clearly in his own mind how every piece of business will be put over. He should feel every expression, every reaction. He get far enough from his story to take a second look at it... to see whether there is any dead phase... to see whether the personalities are going to be interesting and appealing to the audience. He should also try to see that the things that his characters are doing are of an interesting nature.
You ask everybody you know: How long does it usually take to get over it? There are many formulas. One year for every year you dated. Two years for every year you dated. It's just a matter of will power: The day you decide it's over, it's over. You never get over it.
So much of the game is mental, and that's one thing that I've always wanted to be good at. That if I miss a shot or make a bad play, to never let your opponent see that you are in duress or upset - that they've won in any way. So if I make a big game-time bucket or if I miss a shot, you'll see the same mannerisms. I move on to the next play.
If you can take pride in what you're doing on defense, it's going to be pretty hard for that offensive opponent to go by you or make a shot over you.
IF YOUR OPPONENT strikes with fire, counter with water, becoming completely fluid and free-flowing. Water, by its nature, never collides with or breaks against anything. On the contrary, it swallows up any attack harmlessly.
Oh yeah - you have to write every day. Or every weekday. Because writing is a job. It's not eureka moments over and over. It's grueling work, panning for gold. You just keep at it and eventually you get a few grains. Or flakes. Or whatever gold looks like in rivers. Or maybe it's like fishing. Who cares? You just have to do it every day because you never know which day is going to be your productive day.
I do know that I can take a punch. I've been punched in the face three times. That's, I think, a really important thing to know about yourself. It helps you in life. It helps you be brave when you know you can take a punch. I'm a lover, not a fighter. But, God bless me, I can take a punch.
I feel like I can get any shot I want. That's not to sound cocky or conceited. It's because I've played basketball basically every day of my life. So at some point, I've taken just about every shot there is. I've figured out the angles, almost like a pool shark. I know where to use the glass, which dribble I need and which spot I want to reach.
The best way to take a punch is to look at it. Honestly. Someone could hit you with the hardest punch that they have, but as long as you see it, it's not going to knock you out. It's the punches that you don't see that knock you out. So you could get tapped with a small punch, but if you don't see it, you're out.
If you're going to make a film, and you're going to have dialogue, and you want to take the characters seriously, let's understand what they're saying. If there is going to be technical dialogue, let's render it in a way that the audience can understand it and expect that it's not going to be so far over their heads.
[Alan] Dershowitz has also offered to defend Osama bin Laden in court, saying it would be an act of high patriotism. It's kind of too bad there isn't going to be a trial. Having Dershowitz defend him could be Osama's only shot at not being the least popular person in the courtroom.
Society must take every means at its disposal to defend itself against the emergence of a parallel power which defies the elected power.
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