A Quote by Alexis Bledel
Most of the theater I've done in the past was when I was a kid or a teenager so it feels like being a kid again. I'm happier than I've ever been. You really get to go to work every day and play, and try different things. I don't know, I've never felt so lucky to do this job. So I hope to do a lot more theater.
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When I was a kid, I used to try and hit every ball out of the ground. After playing one-day cricket and Test cricket, I never thought I'd get a chance to play like that again, ever. Twenty20 has given me the opportunity of playing like a kid again. I can just feel free and go out there and hit.
I transitioned into theater and acting when I was about 9, community theater and musicals, being, like, chorus-kid-number-78 or whatever. But I just loved it. As a kid you just crave attention, and early on I just felt it was so cool and fun to play around and have people clap for me. But eventually I grew up and fell deeper into it.
I had been doing theater since I was a kid, so the stage really felt like home to me. It felt like the place where I trust myself the most in the world and felt the most confident.
As a kid, I was fortunate that we grew up near a children's theater, with all different classes and things; so as a kid I took classes there and as I got into high school I did all the community theater stuff. Then I came to college here in New York, going to Marymount Manhattan, and studied acting there. But most of the training I got was from working. Working with really great people.
You do your job every day. When things go right, there's never any coverage. But when certain things happen, boy, the world descends on you and they plug you into a narrative that has been established that you're either a pig, you're a racist, you're a hater, and that's why you joined the cops and so forth. The good work you do - it's kind of like the CIA, every success nobody can ever know. You guys, not that your work is clandestine, but it's not news when you save a kid.
I have always wanted to work in the theater. I've always felt the glamour of being backstage and that excitement, but I've never actually done it - not since I was in 5th grade, really. But I've had many plays in my films. I feel like maybe theater is a part of my movie work.
I was a gay kid in high school in the late '90s, and I was in theater club. I was never a thespian. I was much more of a lighting guy or a backstage guy. Because I wanted to do something easy for the rest of my life, I thought, "Maybe I'll go and apply to colleges that specialize in theater set design. I'll do that. That's what I want to do". With theater, really, I'd be around the gays.
I started in theater. I would liken sitcom work more to theater work than I would, perhaps, to dramatic television. It's so quick. It kind of feels like the pace of a play.
I know most people don't like to be around teenagers but I do. I'm one of the only people I can think of who can't wait for my kid to be a teenager. I think being a teenager is one of the most wonderful things in the world. I really enjoyed it - just this heightened emotional state where everything is beautiful and everything is new and you're convinced that you're really going to break the mould and be different from your parents. And the best part is that you have so much more time that you didn't have as a child.
I was a creative kid; I wasn't really into sports, and sports in the South are a pretty big deal. It's like a religion down there. It was tough to find my footing, but thankfully, my parents discovered, through a neighbor, this theater called Young Actors Theater and signed me up for the summer program. It really was a gift. Even if a kid doesn't go into acting or the arts like I did, some kids need that environment to find themselves and find what they love to do. I'm so thankful for that theater; it was a big gift to me.
Direction is the most invisible part of the theatrical art. It's not like the conductor in the symphony orchestra performance because he's standing in front of you waiving his arms. You now what he's doing. You don't know what the director is doing unless you know a lot about theater and even then you can only deduce it. You know it when you go to rehearsal. You really know it when they are rehearsing something of yours. I learned more in the rehearsals for The Letter than I have ever dreamed of know in the theater as a critic. If it doesn't make me a better critic, I'm an idiot.
I was interning at a children's theater group in Kentucky - that was my first job out of college. I had jumped around a couple of regional theaters, and I was about to go back to Maine to work at a summer Shakespeare theater there. I didn't want to just jump around the country from gig to gig. I really wanted to go to a city and get involved in a theater scene and a theater community.
I've always loved film more than theater, and film may be more closely related to making a record because you have that ability to go in and do your work and have no judgment around it, and feel honest. Then, much later, it's presented to people. But in theater, people come backstage after a performance and you're about to do the same play again the next night, and people say, "Well, I didn't really believe that emotion" or whatever. It's really hard for me, I like to be closed up and just do the work.
I am just touched at how strongly the real Hed-heads feel. It feels different from other kinds of devotees; maybe it's the way I felt with certain bands when I was a kid. It feels like a band more than a play.
From a young age, I had done a lot of theater and musical theater. I wasn't really sure what I wanted to do with my life, but every time I was away from acting, I just felt very incomplete and a little stir crazy.
After a while, you're growing up so quickly and you begin to not know your parents anymore. You're left with the memories you had as a kid, but you're not a kid anymore and your experiences are separate. We are now much closer and communicate almost every day. It's a lot of work, but what holds us together is the hope that we will one day be together again.
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