A Quote by Alexis Denisof

[David Boreanaz]'s got a very, very cute little giggle. — © Alexis Denisof
[David Boreanaz]'s got a very, very cute little giggle.
David Boreanaz is actually a very good director and he directed one of our episodes. Excellent director, knew exactly what he wanted. We never had long days with David. He was great, he knew exactly what he wanted and he's a fantastic director.
David Boreanaz is pretty funny. He's probably the one that cracks everybody up the most on set. He can be very serious as well, but when he's silly he's pretty silly.
Yes, during the pilot, they gave me a little toy from the shop. It's like three little moose in a boat, paddling. It's very cute. And I got to keep some of the clothes.
On 'Angel' I got to work a lot with Mike Massa, who was David Boreanaz' stunt double, and Mike would let me do most of my stuff by myself. I did almost all my fight scenes by myself.
When I came to Hollywood, I would take the opportunity to get to know George Stevens or Willy Wyler or Billy Wilder or Freddie Zinnemann. David Lean I got to know, of course, in London. And David Selznick and Darryl Zanuck, not to mention Jack Warner, and Sam Goldwyn was actually very, very nice to me.
I absolutely love working with David Boreanaz, and Charisma Carpenter I completely adore - she teaches me to dance.
When my daughter was a senior in high school, I remember noticing, almost in passing, that her friends were very cute. Which made me realize her friends' fathers probably found Molly very cute.
It's very hard to find a good child actor. There are a lot of child actors out there, especially in America, and they're cute kids, but most child actors appear on sitcoms where their main role is to be cute and make funny little remarks.
I was very scared when I saw it, because Dune was for me very important in my life. I was very sad I could not do it. When I saw that David Lynch would do it, I was very scared, because I admire him as a movie-maker, and I thought he would do well. But when I see the picture, I realize he never understood this picture. It's not a David Lynch picture. It's the producer who made that picture, no? Who made this horror. For David Lynch, it was a job. A commercial job. It never was that for me.
The computer is a very regular structure. It's very uniform. It's got a bunch of memory, and it's got a little element that computes bits of memory and combines them with each other and puts them back somewhere. It's a very simple thing.
I think it's more difficult writing what it's like to be a child. You can pretend you know what it's like, but you don't really know. The only parts I can remember is that the adults were like, "Aren't they cute?" But when you're little you're looking at the other kids like they're your colleagues. They're not like, "Oh, we're all cute little kids." They're more like your office acquaintances. It's very hard to grasp the memories of what it actually was like to be a kid.
Screenplays are not writing. They're a fake form of writing. It's a lot of dialogue and very little atmosphere. Very little description. Very little character work. It's very dangerous. You'll never learn to write.
That's you, right?' he asks me. 'Yeah.' 'Cute. Not that I, uh, think little kids are cute. Just that you were cute. I mean, you can see how you turned out to be so...oh.
I like a lot of older rock 'n' roll artists, like legends like Freddie Mercury and David Bowie. They really influenced me to be very, very androgynous and very commanding, and very very - I wouldn't say odd, but I would say eccentric.
Kill Bill is one of my favorite movies. It has this gritty feeling to it, and it's got a little bit of everything - a little bit of western, a little bit of samurai, and a lot of this very cinematic violence that I personally think is very entertaining.
It's very cool to be short, very cool. When I was in eighth grade, and the height I am now, I would just look at the cute little short girls and think, 'If only, if only.
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