A Quote by Alexis Korner

I had always intended to make a living out of playing blues. But I never admitted it to myself. I don't suppose I could have given a logical reason for it ever becoming possible to do so.
I have always weirdly seen myself as more of a character actor. I have never been suave. I could never see myself playing James Bond. I suppose I could fake it, but I am certainly not James Bond in real life.
I suppose I could collect my books and get on back to school, or steal my Daddy's cue and make a living out of playing pool.
When The Who first started, we were playing blues, and I dug the blues and I knew what I was supposed to be playing, but I couldn't play it. I couldn't get it out. I knew what I had to play; it was in my head. I could hear the notes in my head, but I couldn't get them out on the guitar.
I think that the blues is in everything, so it's not possible to neglect it. You hear somebody go 'Ooh ooh oooh,' and that's the blues. You hear a rock n' roll song. That's the blues. Somebody playing a guitar solo? They're playing the blues.
I was living and working with adult men who were playing a real art form. And I had been playing blues all my life. As soon as I formed my first band, we played Jimmy Reed stuff. So it wasn't like I was a white kid who was learning the blues from B.B. King records.
My father was always playing this ethnic blues stuff around the house, and both my parents played. Then one day my father brought home Big Bill Broonzy, and there he was sitting in our living room playing, and blues was in my heart from the time I was 12 years old.
I don't know if 1300 players could really participate in the selection of a commissioner, and I've never given it a great deal of thought. I think it's a logical point they could make, but it's only an academic one
I don't know if 1300 players could really participate in the selection of a commissioner, and I've never given it a great deal of thought. I think it's a logical point they could make, but it's only an academic one.
I recognized him then; that is, I finally comprehended what I had known but had never been able to formulate: he had always been complete. He had finished the work of becoming himself, long before any of us could even imagine such a feat was possible.
Whenever I was in the dressing room on my own, I'd start playing blues to myself. One night, Bob Daisley, the bass player, came in and said, 'You know, Gary, you should make a blues album next. It might be the biggest thing you ever did.' I laughed. He laughed, too. But I did, and he was right, and it was.
I thought I'm going to die. So why can't I do everything? And what is this idea that I worked all day yesterday, so I'm tired today? I've never believed that.I thought, "Just suppose I could choreograph a ballet." And I did it. Suppose I could teach dance at the theater in Cleveland. And I did it. Suppose I could sing for a living - that I could stop these two jobs as a waitress and a salesperson.
I've always had a passion for music, but I never saw me as a musician for a living. I never thought that I could make a living. It never dawned on me.
God had given men reason, by which they could find out things for themselves, but He had given animals knowledge which did not depend on reason, and which was much more prompt and perfect in its way, and by which they had often saved the lives of men.
I decided to be an inventor when I was five. My parents had given me a few various enrichment toys like erector sets, and for some reason I had the idea that if I put things together just the right way, I could create the intended effect.
I was always sort of a loner, I suppose. I always had to think out everything for myself... I suppose that is what you call a loner.
I think people must wonder how a white girl like me became a blues guitarist. The truth is, I never intended to do this for a living.
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