A Quote by Alexis Taylor
If you can do something that doesn't rely on a major melody but still sounds immediate rather than being obtuse and devoid of anything to catch onto, that's great.
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Things inspiring me - good melody, a great bass line, a fabulous voice... by which I mean someone who sounds great, rather than does pyrotechnics... and people playing really musically. Music is endlessly fascinating.
Foresight is good when it is subject to the latter, but it becomes excessive when we are in a hurry to avoid something we fear. We rely more on our own efforts than on those of his Providence, and we think we are doing a great deal by anticipating His orders by our own disorder, which causes us to rely on human prudence rather than on his Word.
You would think that anyone on a major label would be doing something, but when you speak of major label that means something to maybe a big pop star that might be getting some sort of benefit from the major. But we still don't get anything.
I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there. So I intentionally don't get involved with arranging stuff or fussing over the sounds and the edits and the beats too much, at least not in the beginning, because I feel like then you can fool yourself that you've got something there, when you might not.
Why should not He had made all things, still having something immediately to do with the things that He has made? Where lies the great difficulty, if we own the being of a God, that He created all things out of nothing, I'll be allowing something immediate influence of God on creation still?
Glory belongs to the act of being constant to something greater than yourself, to a cause, to your principles, to the people on whom you rely and who rely on you in return.
If your entire relationship with money is devoid of fun, money becomes something you fear and loathe rather than something to celebrate and enjoy.
I'm a very melody-driven writer and I have a rule that I don't write anything down because if I can't remember the melody than it wasn't worth remembering. So it's my way to test myself in the studio. When I was a kid I could sing pretty well so melody always made a lot of sense to me.
But I'd rather help than watch. I'd rather have a heart than a mind. I'd rather expose too much than too little. I'd rather say hello to strangers than be afraid of them. I would rather know all this about myself than have more money than I need. I'd rather have something to love than a way to impress you.
This is something I haven't told many people, because it's embarrassing. We always used to catch flies with our hands. I was the only one who could catch 'em. One-handed, two-handed. I actually studied flies. I'd watch 'em. How do you catch flies? They fly up. If I can catch that, I can catch anything.
I would rather be a person who struggled there than someone who had a great, easy time and then got out in the world and was like, "Wait a minute, I didn't get voted class president? What's going on?" You know, "popular" doesn't necessarily correlate to anything. "Popular" still has to get up at 7:00 in the morning and go to work and do something worthy too. There's no edge, really, that you get from being whatever was popular in school.
Anything you rely on can become a crutch. And disabled or not, when you rely on something, that is what will cripple you.
I can't think of anything I would rather not - rather do than get up and not do anything. I have to do something. Whether it is painting, writing, acting, shopping, going to the gym, being with friends, going out - I just am a very active person. I have a lot of friends and I travel a lot.
The melody of a religious feeling is the music of life itself. To those who do not hear it I could not explain what it sounds like ... If the spark isn't smoldering somewhere inside one, no efforts can ever bring it into existence. Water cannot catch fire.
I always liked major-key music quite a bit, and that might have something to do with so many of the musical experiences of my childhood being based around the piano. On piano, it is very easy to move between major and minor and to really see how it looks and to feel how it sounds.
You can sit down with Reason or Ableton and literally in a couple of hours make a very good-sounding record. But then a lot of people become contented with that, rather than pushing themselves to making something that sounds great.
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