A Quote by Alfie Allen
What I've been noticing is people coming up to me and going, 'Are you an actor?' which is cool. That's ultimately what I want.
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We're going to have a moment. It's coming: just that breakthrough that's going to give us a cool factor, and more people will want to be a part of it. Because that, to me, is the only thing we're lacking - that social thing: 'It's cool to go to a WNBA game.'
I'm the type of actor that believes the director has to be in charge. I've been on sets where the actor's ego was the most important thing, and with a director that messes it up. But I don't like a dictator, I want it to be collaborative - the best idea wins. If I feel respected, and I'm going to give that back. If a director wants to try something, cool, I'll give it back. I also feel like they cast me for a reason, so I'm going to make my mark on it... let me do my thing.
The world that I am coming from, hip-hop, is so regurgitated and repetitive that some people are used to that and they don't want change, they don't like change. And I get that, that's cool. Luckily for me, I'm confident in myself as an artist where I can do what I want, and as long as I'm cool with it, I'm cool with it.
Do you want to be an actor, or do you want to be a celebrity? I made that decision when I went to Juilliard. I wanted to be an actor. So, if I get the opportunity to be an actor and do some cool, fun and interesting projects, I’m going to do that.
Do you want to be an actor, or do you want to be a celebrity? I made that decision when I went to Juilliard. I wanted to be an actor. So, if I get the opportunity to be an actor and do some cool, fun and interesting projects, I'm going to do that.
I have no problem with people coming up to me and telling me they enjoy my work, what's weird is when you sense people noticing you, nudging each other, and you're not anonymous any more. You just feel exposed.
I don't want this to be a distraction. This has been distracting enough. I'm not going to rehash this going forward. I'm sure other people are going to have questions about it, but we've got a big season coming up.
I wanted to play characters that were going to make me better and really challenge me to raise my skill level up or that were just interesting to me personally. I want to be the best actor I can be, and I want to be the most creative actor I can be. I want to take on roles that will move the chain to where I finally want to go.
It was just cool to see my friends so inspired, and I'm by no means the biggest rapper in the world, but I'm on my way up. I feel like I'm going to keep going and delivering good music every time. It was cool to show people that it's real to do what you want to do.
When you live in a condo complex with people next door, I don't know how you can be dead for four months without anybody noticing you not coming and going.
You start noticing that people are noticing how you look, and it is a profoundly alienating experience when it first happens, where you go on TV and you say something about some topic of the day, and on the Internet people are like, 'What was up with that shirt?' 'What was up with your hair?' And you think, 'Oh, that's kind of a bummer.'
I hadn’t been paying much attention to things like the sunrise, but that old sun had been coming up anyway. It didn’t really care how I felt, it was going to rise and set regardless of whether I noticed it, and if I was going to enjoy it, that was up to me.
I don't know what another actor is going to give me, on the day, and I don't want to be so hard and fast in my technique that I'm not open to what's coming.
If you come from a working-class background, you can't afford to write full time, because you're just not being paid. Basically, all my arguments come down to Marxist doctrine: The world is shaped by money, so the only voices you'll hear are the ones with money behind them. But thankfully, culture and cool are some things that circumvent money, because if you're cool, people will want to give you money - suddenly you shape the market and people start coming to you. Which is why culture has always been a traditional way out for working-class people.
I remember noticing, when I had my babies, how much I liked them, and not just loved them, but I was really into them. I knew I was going to be curious about them and up for the mayhem ahead. But at the same time, I remember noticing I was relieved this thing was present in me. And I hadn't realised there might be a doubt.
Awkwardness gives me great comfort. I've never been cool, but I've felt cool. I've been in the cool place, but I wasn't really cool - I was trying to pass for hip or cool. It's the awkwardness that's nice.
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