A Quote by Alfonso Gomez-Rejon
The fun of directing for me, other than working with the actors, is trying to extract those ideas that you have in your head and make them real.
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Working with the actors, working with production designers, working with the creative people who surround the process is really fun, it's really inspiring and I take great pleasure in working with them. That's what's most fun about directing.
When you're younger you have a lot of ideas and you're probably more insecure, all those things. I work with young actors now and I see their insecurities and I make fun of them. I don't make fun of them but I make them laugh, because I know what they're going through. When you get older you think 'It's only a movie after all, it's not brain surgery.'
If you've got 15 actors on stage who are all trying to shine a light on themselves, they are all trying to outshine each other. Whereas if you have 14 of those actors trying to shine a light on one person, and each of them is trying to make the other look good, you have a much more interesting process.
I was just trying to make it to a second contract before guys. I was trying to outplay guys on the field and trying to last longer than them in the league. I think all of those things go through your head when you're a late-rounder, and you're always trying to prove people wrong.
I love working with other actors and other people - you know, stand-up - it's lonely; it's just you out there and the audience. But it's fun working with other actors. I love doing that, too.
I think casting is really important. Finding the right sensibility for the right part is an art in itself. If you're off there, you make it harder on yourself as a director. And it's fun to work that out with the actors. I don't think there's any magic to directing actors. It's very instinctual. Working with actors is really one of my favorite creative moments of the whole process, and the most fun, because it's collaborative. I spend a lot of time rehearsing. I'm very rehearsal-oriented, probably because I have some background in theater. I like knowing what will work beforehand.
When I'm working as a director, I might have an idea of my own but I'm also trying to get great ideas out of my actors. Directing is much more psychological - it's a lot like being a general. And you have to be organized. While you're making a film, you have between 2 and 500 people asking you a billion questions.
I'm just here to do the best that I can do with the music that I make, and I'm not making it for any other reason than I feel like I have to. These ideas have to be created because they're in me, and if I leave them in my head, I'll go crazy.
What I love in working on film is just working with actors. It's one thing to write scenes alone over a keyboard and to imagine the actions and reactions in your head, but it's a completely other thing to hear actors speaking your words, to see their bodies bringing the fullness of emotion, need, desire and pain to life right in front of you. It's amazing.
A lot of the people I'm working with are not actors, or it's their first time in a movie. I'm not trying to shape performances, coax performances out of them. It's more like I want to put them in situations that naturally work or allow them to be themselves. If it's not happening, I'll just completely switch it up, rather than trying to make it work.
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
As a director, I have to feel realism from actors, and they can't be plastic. The words for me are secondary, but the chemistry between the actors is most important. However, you have to go by the script because it's related to production, otherwise you will not finish your project. My background are acting, film production, directing, and I studied them for many years. Keep in mind that you need many other skills when you are starting any film project related to real life.
With directing, you have to wake up early, which stinks, but you get to hang out with the crew, you're laughing, you're active, and you're working with the actors. It's just more fun than writing. Writing is very hard.
For me the dream is the freedom to make all the crazy ideas I have in my head into movies. I truly love directing and I think it is a privilege to have this as an occupation.
Part of diplomacy, the hard work of diplomacy is trying to extract whatever concessions you can get, and giving something the other side wants. Of course you've got to try to make peace with, and work with those who are your adversaries, but you don't just rush in, open the door, and say, "Here I am. Let's talk and make a deal."
The actors make the film. They're the ones that take this theoretical movie that's in your head and make it real. The success of a film is entirely on their shoulders. I admire them, because acting is such a difficult thing to do, and I personally can't understand it.
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