A Quote by Alfonso Herrera
Fortunately, I had the luck to be able to begin to work and realize my potential in something that I like to do, and in something I had wanted to do, which was acting.
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It's not that acting was something I'd always wanted to do. I had no formal training; I'd never really imagined I'd be an actress. Business was something that had always been in my mind, but when I got into acting, I learned everything on set, and for me at that point, I wanted to excel at what I did.
I always had a dramatic flair. I'd like to dress up like a cowboy, play make-believe. But I didn't realize acting was something I had to do until I got to college.
As a child I started working. Again I had luck with my father's help financially, but I also had to work. I had a programme after training in the afternoon in which I would go in front of my house to do various things and the phone boxes was something I did to earn some money.
I feel that, you know, the enormous luck I've had in being able to make a living, and to never have had to have written one word that I didn't want to write, to be able to have satisfied that dictum I set for myself, which was not to work for pay, but to be paid for my work - just to be able to satisfy those standards that I set for myself has been an enormous privilege.
To be honest, I don't feel like I am able to say that I had a childhood, not in a way normal kids my age had. I had something that was specific to Bosnia in '90s, something I call a period of survival.
I wanted to be a playwright in college. That's what I was interested in and that's what I was moving toward, and then I had the lucky accident of falling in love with film. I was 19 or 20 that I realized films are made by people. Shooting digitally became cheaper and better. You couldn't make something that looked like a Hollywood film, but you could make something through which you could work out ideas. I was acting, but I was also conceiving the plots and operating the camera when I wasn't onscreen. I got very unvain about film acting, and it became a sort of graduate school for me.
About 1883 something like a break occurred in my work. I had reached the end of 'impressionism,' and I had come to realize that I did not know how to paint or draw.
I had read an article about a couple who had developed a private forest in Coorg, and were working towards preserving it. I wanted to do something similar and wanted to give something back to the nature from which we have stolen so much. So my cousins and I bought 24 acres of land and we planted trees in that.
When I started 70 odd years ago I was told that to be a success you've got to have talent, personality and luck. I've had 99.9 percent luck and the other miniscule percentage would be having had the luck to have a little bit of talent, being able to stand upright and that's it. It's all luck.
As an actor, it made me realize a really important lesson. I didn't have to put any spin on the ball as Rita [in Dexter]. All I had to do was speak. And there was such simplicity in that as an actor. With Debra, I was trying to put a square peg into a round hole, and it just didn't work, but in my mind, because I had to work so hard on it, I was, like, "Oh, this is acting!" But that's not acting.
I always felt like I had something to prove, like I had to work twice as hard to make sure I got it. I knew I didn't want to be a good skier. I wanted to be the best.
When I was a teenager I loved acting, but I really just loved it for myself. I didn't like the fact that anyone else saw the work I was doing. When I moved to New York, I started to realize that I wanted people to see the stuff that I was doing, and I wanted it to mean something to them.
Freedom from labor itself is not new; it once belonged among the most firmly established privileges of the few. In this instance, it seems as though scientific progress and technical developments had been only taken advantage of to achieve something about which all former ages dreamed but which none had been able to realize.
I never could stand being forced to do something I didn't want to do at a time I didn't want to do it. Whenever I was able to do something I liked to do, though, when I wanted to do it, and the way I wanted to do it, I'd give it everything I had.
The fourth album encapsulated some remarkable music that was really groundbreaking. We were able to have something like 'When the Levee Breaks,' which, sonically, was very menacing. But then you had the flip side: something like 'Going to California,' which is really intimate.
So I hope to stretch my acting skills. I got to a point in my dancing where I felt like I did so much hard work and I achieved a lot of great things, and I wanted to try something else and put that same kind of commitment that I did into my dancing into something that I was also passionate about. I had so many opportunities with my dance and now I'm just excited to get better as an actress.
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