A Quote by Alfre Woodard
As an adult (after college) and as an artist I thought about what was real, what sustained me - it was Christian Science. I was using that when I didn't know it. Saying yes to the Light and your better instinct.
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As an adult after college and as an artist I thought about what was real, what sustained me - it was Christian Science. I was using that when I didn't know it. Saying yes to the Light and your better instinct.
I love saying 'yes' and I love saying 'please.' Saying 'yes' doesn't mean I don't know how to say no, and saying 'please' doesn't mean I am waiting for permission. 'Yes please' sounds powerful and concise. It's a response and a request. It is not about being a good girl; it is about being a real woman.
You boys know what tropism is, it's what makes a plant grow toward the light. Everything aspires to the light. You don't have to chase down a fly to get rid of it - you just darken the room, leave a crack of light in a window, and out he goes. Works every time. We all have that instinct, that aspiration. Science can't dim that. All science can do is turn out the false lights so the true light can get us home.
Everyone says how Calvin and Hobbes is about a real kid, to me there's nothing real about it; it's an adult using a kid's body as a mouthpiece.
There is something wrong with using faith - belief without evidence - as a political weapon. I wouldn't say there is something similar about using science. Science - or the products of science like technology - is just a way of achieving something real, something that happens, something that works.
One of the most effective means for transcending ordinary and moving into the realm of extraordinary is saying yes more frequently and eliminating no almost completely. I call it saying yes to life. Say yes to yourself, to your family, your children, your coworkers, and your business.
Misa: Hey, Light. Wanna come sleep with me tonight? Light: Wh-what are you talking about…? Misa: Ha ha ha! Just kidding! You're saving me for after we catch Kira, right? You don't have to be shy about it! L: Yes, Light. There's no need to be shy. Light: I'm not being shy! L: No need to be so serious either
Ulysses pissed me off. When Molly Bloom just says, "Yes I said yes I will Yes." And I'm thinking, You should be saying no, Molly. How about no? Saying no is great.
Doctors look after me. But, basically, I look after myself. I don't overeat. I don't develop a big paunch. I do a little bit of exercise. At the same time, I believe that if you don't work, you will decay. The decay process is through not using your faculties - not using your brain, not using your body.
As with the subjects in all of my films, the incentive is left to the subject to determine on their own. I never ask someone why they say yes to me. After all, if you invited someone to join you for dinner, and they accepted your invitation, your next question wouldn't be, 'Why are you saying yes?'
I feel like you can't really be truthful as an artist and empathize with the human experience, unless you know your truth and you're not living a lie. So I'm learning through it, and it's making me a better person, and it's making me a better artist, I think.
The true, prescriptive artist strives after artistic truth; the lawless artist, following blind instinct, after an appearance of naturalness. The one leads to the highest peaks of art, the other to its lowest depths.
May we all soon go about as our real selves and take joy in it, saying, yes, yes, to whatever we are.
Placing a halo around your own head by saying 'I am a pacifist' and 'I don't believe in using violent tactics' doesn't make the world a better place. It might make YOUR world better and YOU might feel better about YOURSELF, but it does NOTHING whatsoever for the victims.
I really value the freedom I have as a Christian that's an artist but not necessarily a Christian artist. I think it can be hard to express certain things about faith when there are a pretty specific set of expectations around what you need to talk about and how you're talking about it.
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
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