A Quote by Alfred Austin
No verse which is unmusical or obscure can be regarded as poetry whatever other qualities it may possess.
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Write verse, not poetry. The public wants verse. If you have a talent for poetry, then don't by any means mother it, but try your hand at verse.
Envy is the most universal passion. We only pride ourselves on the qualities we possess, or think we possess; but we envy the pretensions we have, and those which we have not, and do not even wish for. We envy the greatest qualities and every trifling advantage. We envy the most ridiculous appearance or affectation of superiority. We envy folly and conceit; nay, we go so far as to envy whatever confers distinction of notoriety, even vice and infamy.
Soviet rocket troops possess enough equipment to be able, if need be, to sweep any aggressor from the face of the earth at whatever point of the globe he may be and whatever military power, territory, or economy he may possess.
Verse in itself does not constitute poetry. Verse is only an elegant vestment for a beautiful form. Poetry can express itself in prose, but it does so more perfectly under the grace and majesty of verse. It is poetry of soul that inspires noble sentiments and noble actions as well as noble writings.
Poetry, in the entire course of its development, has always been trying to capture meanings and problems which are still obscure and dormant. Poetry tries to awaken them with a kiss, wherever they may be: in the air, in things, in human beings.
Whatever laudable qualities the English may possess in their selection, preparation, and consumption of food, elegance, originality, diversity, and imagination are not among them.
Regarded in isolation, an idea may be quite insignificant, and venturesome in the extreme, but it may acquire importance from an idea which follows it; perhaps, in a certain collocation with other ideas, which may seem equally absurd, it may be capable of furnishing a very serviceable link.
Don't talk to me any more about poetry for months -- unless it is other men's work. I really love verse, even rubbish. But I'm fearfully busy at a novel, and brush all the gossamer of verse off my face.
The charge frequently leveled against poetry - that it is difficult, obscure, hermetic and whatnot - indicates not the state of poetry but, frankly, the rung of the evolutionary ladder on which society is stuck.
All leaders, male or female, innately possess feminine qualities like empathy, candor and vulnerability - the difference lies in which leaders choose to suppress those qualities, and which choose to leverage them as strengths.
Among all the valuable things of this world, the word is the most precious. For in the word one can find a light which gems and jewels do not possess; a word may contain so much life that it can heal the wounds of the heart. Therefore, poetry in which the soul is expressed is as living as a human being. The greatest reward that God bestows on man is eloquence and poetry. This is not an exaggeration, for it is the gift of the poet that culminates, in time, with the gift of prophecy.
A companion loves some agreeable qualities which a man may possess, but a friend loves the man himself.
That the speech of self-disclosure should be translatable seems to me very odd, but I am convinced that it is. The conclusion that I draw is that the only quality which all human being without exception possess is uniqueness: any characteristic, on the other hand, which one individual can be recognized as having in common with another, like red hair or the English language, implies the existence of other individual qualities which this classification excludes.
Where we cannot invent, we may at least improve; we may give somewhat of novelty to that which was old, condensation to that which was diffuse, perspicuity to that which was obscure, and currency to that which was recondite.
Musical talent is maybe something, but there are no unmusical people. You're moved by music. It's total rubbish to say, "Oh, I'm unmusical." It doesn't exist; it's ridiculous.
Much verse fails of being poetry because it was not written exactly at the right crisis, though it may have been inconceivably near to it. It is only by a miracle that poetry is written at all. It is not recoverable thought, but a hue caught from a vaster receding thought.
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