A Quote by Alfred Binet

Could we look into the head of a Chess player, we should see there a whole world of feelings, images, ideas, emotion and passion — © Alfred Binet
Could we look into the head of a Chess player, we should see there a whole world of feelings, images, ideas, emotion and passion
I just think we should look at this as a chess match," he said, "between the world's greatest chess player and Garry Kasparov.
My films start with images, a few images and a few feelings, and I try to edit them together to see the correspondence between these images and these feelings.
Satellite images, maps and blueprints of the whole world, of every city. We could look it up and know what's there in someone else's words. Or we could get wicked drunk and just go.
She wondered: How could people respond to these images if images didn't secretly enjoy the same status as real things? Not that images were so powerful, but that the world was so weak. It could be read, certainly, in its weakness, as on days when the sun baked fallen apples in orchards and the valley smelled like cider, and cold nights when Jordan had driven Chadds Ford for dinner and the tires of her Chevrolet had crunched on the gravel driveway; but the world was fungible only as images. Nothing got inside the head without becoming pictures.
Playing rapid chess, one can lose the habit of concentrating for several hours in serious chess. That is why, if a player has big aims, he should limit his rapidplay in favour of serious chess.
The Indians and Chinese have become brilliant chess professionals. They get on a plane and play all over the world. This has led to dramatic pressure on incomes. Nowadays, the best chess player in Argentina can no longer make a living playing chess.
A lot of people see a future where you could make a living as a chess player.
After that, Kasparov stepped back from chess which is, and I want this to be clear, not good for chess in general at all. As a whole, the current situation in the chess world leaves a lot to be desired.
I started to have these ideas for films. They were like running images in my head. But I didn't think I could be a director. I just literally didn't think it was a possibility. Then I started to suddenly see films of women.
The enormous mental resilience, without which no Chess player can exist, was so much taken up by Chess that he could never free his mind of this game
As a chess player one has to be able to control one's feelings, one has to be as cold as a machine.
Drawing is what you see of the world, truly see...And sometimes what you see is so deep in your head you're not even sure of what you're seeing. But when it's down there on paper, and you look at it, really look, you'll see the way things are...that's the world, isn't it? You have to keep looking to find the truth.
Our ideas of happiness, gratification, contentment, satisfaction, all demand that those feelings come from within us. If you flip that on its head and say "What if I took the world at face value?" and then ask "What can I do with what is given?" it's an interesting trick to turn around the whole problem of how you feel.
My coach and my parents both had this relationship to what I was doing, which was allowing me to express myself with chess. And so I could love it. I had a passion for it. I was expressing myself through chess, and I was learning about myself through chess.
There are two ways to look at life and the world. We can see the good or the bad, the beautiful or the ugly. Both are there, and what we focus on and choose to see is what brings us feelings of joy or feelings of despair.
In fact, if you read what Kant has to say about feeling, desire and emotion, you see that he is not at all hostile to these. He is suspicious of them insofar as they represent the corruption of social life (here he follows Rousseau), but he also thinks a variety of feelings (including respect and love of humanity) arise directly from reason - there is, in other words, no daylight between the heart and the head regarding such feelings.
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