A Quote by Alfred Brendel
You have to be aware of all the latent possibilities that give a work its special character - its atmosphere, its moods, its contrasts.
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In the birth of societies it is the chiefs of states who give it its special character; and afterward it is this special character that forms the chiefs of state.
The heavy odds against finding the desired... work of art in the mess and flux of life, as opposed to the serene orderliness of imagined reality, give a special tense dazzle and an atmosphere of tour de force to any photographs that succeed in the search.
That's because only a real artist knows the actual anatomy of the terrible or the physiology of fear - the exact sort of lines and proportions that connect up with latent instincts or hereditary memories of fright, and the proper colour contrasts and lighting effects to stir the dormant sense of strangeness.
I am president and do not have the right to give in to emotions. I have bad moods, very bad moods, but I never feel despair.
When we are fully conscious and aware, we actually know when we are about to overreact. When we are mindful, we have the mental space and are aware of when our moods change. When we are mindful, we are aware of when our mental models are being challenged and when expectation does not meet with reality, which can trigger an emotional response.
Learn respect for the feeling function: Become aware of and undo some of your (improper) cultural training so that you grant the moods and messages of the heart the same respect that you give the thoughts and ideas of the mind.
I have thus decided to make a certain film and now begins the complicated and difficult-to-master work. To transfer rhythms, moods, atmosphere, tensions, sequences, tones and scents into words and sentences in a readable or at least understandable script. This is difficult but not impossible.
Nature's Moods The water is always changing and whenever you look at it you get something back. I'm sure the water isn't aware of me but I'm very much aware of it. Living by the water means constant company.
When I was going to school and under the influence of Abstract Expressionism, I believed that if you had a give-and-take rapport with your work that it would be you, and that would be all that was required. It would be honest, and the core of your personality would come out if you responded to position and contrasts in your work.
I was lucky enough to play at Old Trafford, and we always talked about the atmosphere on a Tuesday night, the special atmosphere you create, and the crowd is rocking when you go out for a warm-up.
She's very special and I've learned plenty from being around Renae. She's helped me go up another level in all categories; it's special to watch her because I'm aware of the work she has done.
You can be aware that something is idiosyncratic, and give it to a character, but keep doing it.
I think of setting as almost a character of its own, influencing the other characters in ways they're not even aware of. So much of the success of a good ghost story rides on creating a creepy atmosphere; details of the landscape itself can help create a sense of dread.
There are certain things we must not pray about - moods, for instance. Moods never go by praying, moods go by kicking.
If I'm not clear with the character, I can't do anything with it. But once I get that character, the possibilities are endless. When you have such a defined character, I feel like I can actually read the phone book and make it funny.
And yet and yet - the last secret of the tree of codes is that nothing can ever reach a definite conclusion. Nowhere as much as there do we feel possibilities shaken by the nearness of realization. The atmosphere becomes possibilities and we shall wander and make a thousand mistakes. We shall wander along yet not be able to understand.
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