A Quote by Alfred de Vigny
We live in an age of universal investigation, and of exploration of the sources of all movements.
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The study of social progress is to-day not less needed in literature than
is the analysis of the human heart. We live in an age of universal
investigation, and of exploration of the sources of all movements.
France, for example, loves at the same time history and the drama,
because the one explores the vast destinies of humanity, and the other
the individual lot of man. These embrace the whole of life. But it is the
province of religion, of philosophy, of pure poetry only, to go beyond
life, beyond time, into eternity.
Fuller believed human societies would soon rely mainly on renewable sources of energy,
such as solar- and wind-derived electricity,. envisioned an age of "universal education and sustenance of all humanity".
"The heart has reasons that reason does not understand."
I believe that from that Earth emerges a musical poetry, which is by the nature of its sources tonal. I believe that these sources cause to exist a phonology of music, which evolves from the universal known as the harmonic series.
Space is a laboratory, an experiment in all forms of all things, an infinity of possibilities, properties, and places that cry out for investigation and exploration.
It is a great thing to be at your age... You are at a very specific time of age ... an age where you can follow all your dreams. But also at an age when you can change-you can change your dreams, you can change paths. When you start something when you're young, you should not decide 'this is it, this is my way and I will go all the way.' You have the age where you can change. You get experience, and maybe dislike it and go another way. Your age is still an age of exploration.
Every age has a kind of universal genius, which inclines those that live in it to some particular studies.
What's more important is that we talk about movements; change happens through movements. The movement to end slavery, the movement to bring justice for those who have been left out of the system, movements to include women, movements around sexual preference - all these movements brought about change.
Curiosity is the essence of human existence and exploration has been part of humankind for a long time. The exploration of space, like the exploration of life, if you will, is a risk. We've got to be willing to take it.
I like books like 'The Suspicions of Mr. Whicher,' where the investigation of a crime becomes a way into an exploration of the society where the crime took place.
Education, the great mumbo jumbo and fraud of the age purports to equip us to live and is prescribed as a universal remedy for everything from juvenile delinquency to premature senility.
Jonah Lehrer is one of the most talented explainers of science that we’ve got. What a pleasure it is to follow his investigation of creativity and its sources. Imagine is his best book yet.
I frequently hear persons in old age say how they would live, if they were to live their lives over again: Resolved, That I will live just so as I can think I shall wish I had done, supposing I live to old age.
We're talking about the Communist Party, the Socialist worker's movement, those movements basically have been underlined. We have other movements, but they're not as powerful as the movements that we had then.
Therefore I would not have it unknown to Your Holiness, the the only thing which induced me to look for another way of reckoning the movements of the heavenly bodies was that I knew that mathematicians by no means agree in their investigation thereof.
Comey worried that the pressure from Trump to end the Flynn investigation or remove the 'cloud' of the larger investigation would 'infect' the investigation if he let others working on the case know about it. You don't need to believe the particulars of each exchange to see that this mode of management was not productive to a larger purpose.
For me, the whole idea of the radically new is tied to a close reconsideration of older sources. I like to give myself over to those sources, as points of origin, in order to bring things forward. My approach requires me to internalize my sources as much as possible in the hope that new themes might emerge. The material has to be internalized in order for it to live again. Ultimately, paintings reveal themselves on the basis of what they are. They are inseparable from the physical process that goes into their making.
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