A Quote by Alfred de Vigny
No writer, no matter how gifted, immortalizes himself unless he has crystallized into expressive and original phrase the eternal sentiments and yearnings of the human heart.
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Eternal punishment must be eternal cruelty, and I do not see how any man, unless he has the brain of an idiot, or the heart of a wild beast, can believe in eternal punishment.
It seems difficult, sometimes, to believe that there was a time when sentiments now become habitual, sentiments that imply not only the original imperative of conduct, but the original metaphysic of living, were by no means altogether habitual.
When you're learning, especially to write, unless you're some incredibly gifted writer, a young Malcom Gladwell, say, you need to be imitating people. You need to be imitating how they make their work, how they structure it, how they design the pieces. It gives you chops; it gives you moves.
One thing I believe completely is that the human heart remains the human heart, no matter how our material circumstances change as we move together through time.
Every great and original writer, in proportion as he is great and original, must himself create the taste by which he is to be relished.
People often ask how I can reject the phrase 'woman writer' and not reject the phrase 'Jewish writer' - a preposterous question. 'Jewish' is a category of civilization, culture, and intellect, and 'woman' is a category of anatomy and physiology.
There is no limit to suffering human beings have been willing to inflict on others, no matter how innocent, no matter how young, and no matter how old. This fact must lead all reasonable human beings, that is, all human beings who take evidence seriously, to draw only one possible conclusion: Human nature is not basically good.
In the human heart there is a built-in obsolescence factor. It does not matter how powerful and influential you are, how much education you have, how selfcontrolled or holy you consider yourself—your heart, if you do not guard it, will break down.
Unless a man gives himself entirely to the Cross, in a spirit of humility and self-abasement; unless he casts himself down to be trampled underfoot by all and despised, accepting injustice, contempt and mockery; unless he undergoes all these things with joy for the sake of the Lord, not claiming any kind of human reward whatsoever - glory or honor or earthly pleasures - he cannot become a true Christian.
As the writer, I may choose to ignore the emotional heart of the matter, and focus on details, and trust that the heart of the matter will be conveyed nevertheless.
You can always tell gifted and highly intelligent people as they always turn to the past. Any young person who knows anything that happened before 1980, or 1990, or 2000 for that matter, is immediately someone who is intelligent, probably creative, maybe a writer. Nobody who is drawn to the past and learning about the past is not gifted.
Every person has the truth in his heart. No matter how complicated his circumstances, no matter how others look at him from the outside, and no matter how deep or shallow the truth dwells in his heart, once his heart is pieced with a crystal needle, the truth will gush forth like a geyser.
Don't fall in love with your wit. Your cleverly turned phrase may not, as you hope, show off how much gray matter you have, especially if the phrase is at someone else's expense.
All human action is expressive; a gesture is an intentionally expressive action. All art is expressive - of its author and of the situation in which he works - but some art is intended to move us through visual gestures that transmit, and perhaps give release to, emotions and emotionally charged messages. Such art is expressionist.
Just as the divine Redeemer, dying on the Cross, offered Himself as Head of the whole human race to the eternal Father, so also in this "clean oblation" (Mal 1:2), He, as Head of the Church, offers not only Himself but, in Himself, all His mystical members.
No matter how full a reservoir of maxims one may possess, and no matter how good one's sentiments may be, if one has not taken advantage of every concrete opportunity to act, one's character may remain entirely unaffected for the better.
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