A Quote by Alfred Eisenstaedt

When I have a camera in my hand, I know no fear. — © Alfred Eisenstaedt
When I have a camera in my hand, I know no fear.
Fear not. For fear itself is fed by fear, and all fears pass. Did no one tell you so? Come take my hand, my friend, and we will peer into this fear's abyss. And jump! And know.
The difference between fear and panic is knowing what to do. If you have a reliable, effective solution then fear is an asset. You know what to do and fear just makes you do it faster. On the other hand, if you don't know what to do - or don't trust what you know - then you will freeze in terror, because you have no clear goal or way to get there. Fear helps, panic hinders. Fear is your savior, panic your nemesis.
The actor already comes with emotions to the scene: fear, the fear of being in front of the camera. It is this fear that spurs the emotion of the scene. I too am afraid; I don't know exactly what I am searching for. On the set, we are all participating in this fear together.
Religion is based ... mainly upon fear ... fear of the mysterious, fear of defeat, fear of death. Fear is the parent of cruelty, and therefore it is no wonder if cruelty and religion have gone hand in hand. My own view on religion is that of Lucretius. I regard it as a disease born of fear and as a source of untold misery to the human race.
We were using a hand-held camera to film the scene when Morse collapses. The camera wouldn't start. Three times they said action and it still wouldn't work. To this day, they still don't know what was wrong.
The stigma that used to exist many years ago, that actors from film don't do television, seems to have disappeared. That camera doesn't know it's a TV camera... or even a streaming camera. It's just a camera.
Fear goes hand-in-hand with artistic creation, and no amount of success will make the fear go away entirely.
The camera is a remarkable instrument. Saturate yourself with your subject, and the camera will all but take you by the hand and point the way.
Every time I go in front of the camera, I have this fear of 'Oh my God, how am I going to tackle this? The director is going to say 'action' and I'm going to just keep standing there; I won't know what to do.' That's a constant fear I have as an actor.
For me, being in front of the camera and training go hand in hand.
I know I will die with either a camera in hand or a woman on top - what more could one ask of life?
If we have plain old ordinary fear then we are within reach of a solution. Fear has been with humankind for millennia and we do know what to do about it-pray about it, talk about it, feel the fear, and do it anyway. Artistic fear, on the other hand, sounds somehow nastier and more virulent, like it just might not yield to ordinary solutions-and yet it does, the moment we become humble enough to try ordinary solutions.
When I was 19, I picked up an old, tiny, automatic Yashica camera and I just started shooting. We didn't have iPhones back then, we didn't even have cell phones. I loved having a camera in my hand.
Anyone who looks for life can find it... and they don't need to photograph ashcans. The average camera fan reminds me of Pollyanna, with a lollypop in one hand and a camera in the other. You can't be a Nice Nelly and take news pictures.
No one was jumping up and saying, 'Yeah, let me give you money.' I had never held a camera in my hand - a home video camera, nothing. I had not directed.
I've walked with very famous people down red carpets over to the crowd of thousands of people, and you'll reach out to shake their hand and they've got a camera in their hand. And they don't even get their hand out, because they're recording the whole time.
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