A Quote by Alfred Eisenstaedt

The important thing is not the camera but the eye. — © Alfred Eisenstaedt
The important thing is not the camera but the eye.
Making photos is helpful of course to master the craft. To get comfortable with the camera. Learn what a camera can do and how to use the camera successfully. Doing exercises for example if you try to find out things that the camera can do that the eye cannot do. So that you have a tool that will do what you need to be done. But then once you have mastered the craft the most important thing is to determine why you want to shoot pictures and what you want to shoot pictures of. That's where the thematic issue comes to life.
What is important is for me to do my best work on camera. The camera is inches away from you and sees every micromovement of every muscle of your eye. And if you're not relaxed, the camera sees it.
I think the camera was always my obsession, the camera movements. Because for me it's the most important thing in the move, the camera, because without the camera, film is just a stage or television - nothing.
The camera is not only an extension of the eye but of the brain. It can see sharper, farther, nearer, slower, faster than the eye. It can see by invisible light. It can see in the past, present, and future. Instead of using the camera only to reproduce objects, I wanted to use it to make what is invisible to the eye - visible.
The camera is not your eye, and it's not the eye of the audience. I don't think it's my eye, either. It belongs to the film.
For me, the brand of the camera is not the most important thing. I think you can take good pictures with the camera on your phone.
For me, the most important thing I learned was just honing my eye. I think I had a good eye.
It took two years of me telling Canon engineers that a camera is a thing between the human hand and the human eye, so it had to have ergonomics on both sides! They got the message, and we did it, and overnight it was the camera of the world. Everyone - Nikon, Yashica, Sony - all copied Colani.
With photography, everything is in the eye and these days I feel young photographers are missing the point a bit. People always ask about cameras but it doesn't matter what camera you have. You can have the most modern camera in the world but if you don't have an eye, the camera is worthless. Young people know more about modern cameras and lighting than I do. When I started out in photography I didn't own an exposure meter - I couldn't , they didn't exist! I had to guess.
The most important thing you will do is yet to be seen. For me, I found my important thing to do when I learned to do surgery on the eye, when I learned to restore a person's vision.
Let's face it, the human eye is clumsy, sloppy, and unintelligible when compared to the camera's eye.
What the human eye observes casually and incuriously, the eye of the camera (the lens) notes with relentless fidelity.
Your camera is the best critic there is. Critics never see as much as the camera does. It is more perceptive than the human eye.
The script is so important... Even if you have a huge entourage or big lighting trucks, the most important thing is the space between the actor and the camera.
The difference between an amateur and a professional photographer is that the amateur thinks the camera does the work. And they treat the camera with a certain amount of reverence. It is all about the kind of lens you choose, the kind of film stock you use… exactly the sort of perfection of the camera. Whereas, the professional the real professional – treats the camera with unutterable disdain. They pick up the camera and sling it aside. Because they know it’s the eye and the brain that count, not the mechanism that gets between them and the subject that counts.
Having an eye patch actually makes it easier to look through a camera - I don't have to close one eye like everyone else.
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