A Quote by Alfred Gough

You know what's funny about the people who say mean things? There's a certain part of Twitter that is literally shouting into the void, and then sometimes when the void shouts back it's like, "Whoa! I wasn't expecting that. I got called out." And then if you have a conversation, you find out they like something or they like that or they have questions about that.
Sometimes I wonder about my life. I lead a small life - well, valuable, but small - and sometimes I wonder, do I do it because I like it, or because I haven't been brave? So much of what I see reminds me of something I read in a book, when shouldn't it be the other way around? I don't really want an answer. I just want to send this cosmic question out into the void. So good night, dear void. - You've Got Mail
When people ask me what it is about Brazil and my work, it's not something that I can say literally. It's unidentifiable. It's like when you do research and things inspire you. If you're smart enough, then obviously you don't take it literally. The inspiration will come out later somehow.
I have to make about a million proofs of everything. I don’t know, it’s just a repetition, like a meditation. You come back to something and then you leave it, and then you come back again and you leave it, and each time it changes. And sometimes you have to wait for new information inside yourself to be able to finish something, to find out how it should go.
I am used to experiencing so much trauma, that when I see it, I have to speak out. I don't think rappers have a responsibility, but if you don't say something or be silent or avoid it, I believe it shows your true real character to the world. It's like, if no one wants to rap about gentrification then I am going to fill that void!
When I go onstage, I don't know what I'm going to say. I don't know what's going to come out of my mouth. It's one of those questions where any and everything is possible. I literally could be talking about somebody I was hanging out with two seconds ago or something from the news. Literally, there's really no rhyme or reason for it. I want to be free flowing like that.
All things are void. So how possibly could there be any obscurations since everything is void, when you're void itself? There's only the void. In the void, there's only shining, perfect clear light of reality.
You think about all the years that a USA volleyball team has been in the Olympics and have tried and have fallen short. Then to feel like you're pushing for something and you're trying to find that edge and then you finally do it, it's like, Whoa, it worked!'
You just witnessed something I've never seen in my entire life. They just called that team (Tennessee) the winner. They said whoa, whoa, whoa, whoa, whoa, whoa, whoa, (whistles) come back here. Then they called us the winner. I'm a tell you right now as an experience, dammit, I'm going to enjoy that one as much as I hate to admit it.
There's so much bullying with young people and them feeling like they can't come out, and they don't know what to do. And it's something that you have to work through. And, you know, for me, it was - I came out, and then I went back in for a minute. And then I came out, and I was like, 'You know what? This is who I am.'
There's two things everybody got to find out for themselves: they got to find out about love, and they got to find out about living. Now, love is like the sea. It's a moving thing. And it's different on every shore. And living... well... There are years that ask questions and years that answer.
I don't really hashtag things. Unless I'm talking to somebody and I'm being funny and I say something mean but then I'm like, Hashtag...something that's funny. I like to only hashtag funny things, not real stuff.
My introduction into making records was through a sampler, and that's what I did for a long time. And through doing that over a period of time and kind of coming out of it, I've realized that one of the reasons it works so well for me, one of the reasons psychologically I took to the process so well, was because I'm a problem-solver by nature. If you stick me in a void, I don't do so hot. As soon as there's one little thing to spark an idea, and then I have something to bounce off of - then I'm all right. But until I have that, like in that void, it's kind of hard.
You work with people who are obsessive about shopping, obsessive about owning things and buying things, like this purchase is going to make them happy. And you want to say to them, 'You know, no amount of real estate is gonna fill that void.'
You work with people who are obsessive about shopping, obsessive about owning things and buying things, like this purchase is going to make them happy. And you want to say to them, You know, no amount of real estate is gonna fill that void.
Sometimes I say I feel more like a dancer than an actor, because there are things implied about being an actor that I don't really like. I feel more comfortable with the word 'performer'. I like being the thing. I like being the doer. There's a factualness to it. And then certain resonances happen out of how you apply yourself physically.
Then the voices of the Ainur, like unto harps and lutes, and pipes and trumpets, and viols and organs, and like unto countless choirs singing with words, began to fashipn the theme of Iluvatar to a great music; and a sound arose of endless interchanging melodies woven in harmony that passed beyond hearing into the depths and into the heights, and the places of the dwelling of Iluvatar were filled to overflowing, and the music and the echo of the music went out into the Void, and it was not void.
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