A Quote by Alfred Hershey
That's the nice thing about doing research. Whatever you do is novel, so you always have this sense of novelty, even if you are only using a new gadget.
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We the Living is not a novel 'about Soviet Russia.' It is a novel about Man against the State. Its basic theme is the sanctity of human life - using the word 'sanctity' not in a mystical sense, but in the sense of 'supreme value.'
The great thing about using the past is that it gives you the most colossal freedom to invent. The research is necessary, of course, but no one writes a novel to dramatically illustrate what everybody already knows.
The cool thing about doing films and being different characters is that it's new everyday and new every project. So, you're always learning something different and you get to do research.
I love a gadget and I've got my dad to blame for that. When I was growing up, he always had the latest thing: cine-cameras, VHS players, enormous mobile phones. I've definitely inherited his gadget fiendness.
The more you're drowning in familiarity, the better the fun is. It requires less novelty to produce even more gratification. And it's something that didn't come from you. It was about the other thing - the thing you were experiencing, or the people you were with, or the mechanism you were operating, or whatever it might be.
What I didn't really understand, but then I thought this makes perfect sense, as well - was how many people responded to it by being like, "It was just so nice to take a break." Because even the humor - the great stuff that Samantha Bee and John Oliver and Seth Meyers are doing - it's all anger humor. And for somebody to say, "Hey, we're all idiots," and just be able to laugh at ourselves and be able to connect through that. It's always about connecting with someone, never about scolding them. The only thing I knew right upfront is we're not going after [Donald] Trump supporters.
I come from an improv background, so the one thing I know when I'm doing 'Chozen' is that whatever he's doing at that exact moment is the only thing he's thinking about, and he will do it until he's conquered it.
I've never been one to think it was cheating to sample this or to loop the drum part there - I've always done that. Even using four-track cassette recorders, I was always doing whatever I could to make it as good as I could.
You say fate is almost indispensable to literature - I think it's completely indispensable, at least in a novel, because a novel always has a plot. Even if nothing happens, even if someone just spends a day walking around Dublin, or whatever, there's still something going on.
If my setting is new to a reader, or the concerns of the novel are new, I hope they will learn something about the world. I would like to say that they can trust that what they do learn in the novel will be accurate, because I pay a lot of attention to facts. I do a lot of research to make sure that I'm not giving them, you know, blue moons of Jupiter. It's not science fiction.
There are three things which the public will always clamour for, sooner or later; namely: novelty, novelty, novelty.
There are three things which the public will always clamor for, sooner or later: namely, novelty, novelty, novelty.
A novel means a new way of doing a story. If you go back the origins of a novel, 'Clarissa' - that's not a novel; it's just a bunch of letters. But it isn't! Because it's organised in a particular way! A novel is what you make of it.
The idea of using actual clippings came about as a way of characterizing Gold. Gold uses clippings because he hates doing research and is not even really interested in the books and articles he writes.
Whatever we have done in withdrawing from full consciousness of the One Mind, we are doing now. Whatever we are doing will always be within us to do, even when we are not doing it, and therefore is not to be resisted, but transcended. These are reminders I frequently use: "That's always within me." "This, too, can be experienced with a completely expanded awareness."
The Lusitania is important, of course, because this is where Germany began its maritime campaign using this brand-new weapon. We have to appreciate how the submarine, as a weapon against civilian shipping, was a particularly novel thing - so novel that many people at the time dismissed its potential power, its potential relevance.
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