A Quote by Alfred Jodl

Hitler [had an] excess of imagination, which very frequently foresaw what would happen but also very often went astray. — © Alfred Jodl
Hitler [had an] excess of imagination, which very frequently foresaw what would happen but also very often went astray.
He was not only the most brilliant strategist of all our generals, but he had a good political sense. A man of that quality was too difficult for Hitler to swallow for long. At conferences Manstein often differed from Hitler, in front of others, and would go so far as to declare that some of the ideas which Hitler put forward were nonsense.
You're talking to a modern, nice, affable German person and they're saying to you something like 'You know, vell, it's a critical time now for Germany within Europe, also globally, economically ve are pretty good, ve have been better. But ve are very vibrant in the theater and arts...' and all the time you'll be listening to this, you're thinking Mmm, yeah, mmm... Hitler, Hitler, Hitler, Hitler, Hitler.
Isaac Watts, of course, is a hymn writer in the tradition of Congregationalism who lived in the seventeenth and early eighteenth century. He is very interesting and important because he was also a metaphysician. He knew a great deal about what was, for him, contemporary science. He was very much influenced by Isaac Newton, for example. There are planets and meteors and so on showing up in his hymns very often. But, again, the scale of his religious imagination corresponds to a very generously scaled scientific imagination.
New York, for decades, offered a perpetual series of 'golden ages' to artists. You constantly had to measure yourself against the best, and you had to watch them, which meant that your imagination and also your sense of what the market could stand got very, very sharp.
That which men suppose the imagination to be, and to do, is often frivolous enough and mischievous enough; but that which God meant it to be in the mental economy is not merely noble, but supereminent. It is the distinguishing element in all refinement. It is the secret and marrow of civilization. It is the very eye of faith. The soul without imagination is what an observatory would be without a telescope.
I feel very lucky to make a living from my imagination; I'm very grateful for that. I like that what I do is create. I'm feeling very lucky to have had the career I had. It's gone much longer and bigger than I ever thought it would be.
In those days we were punished very frequently and I felt that it was often unjust, and so I would resist the desire to agree with many, many things. So I used to get beaten quite frequently and I more or less accepted it as part of life.
Obstinacy, sir, is certainly a great vice; and in the changeful state of political affairs it is frequently the cause of great mischief. It happens, however, very unfortunately, that almost the whole line of the great and masculine virtues--constancy, gravity, magnanimity, fortitude, fidelity, and firmness--are closely allied to this disagreeable quality, of which you have so just an abhorrence; and in their excess all these virtues very easily fall into it.
I have a degree in journalism, which is something that I make very clear very frequently just so people are aware of it. I went to school to write... Editorial integrity is very important to me.
He foresaw that she would be very much more useful to him in the character of a free woman.
The soul has to find and hold its ground against hostile forces, sometimes embodied in ideas which frequently deny its very existence, and which indeed often seem to be trying to annul it altogether.
Hitler had the willpower of a demon and he needed it. If he didn't have such a strong willpower he couldn't have achieved anything. Don't forget, if Hitler had not lost the war, if he did not have to fight against the combination of big powers like England, America, and Russia - each one he could have conquered individually - these defendants and these generals would now be saying, 'Heil Hitler,' and would not be so damn critical.
When I was writing my first novel, 'Where the Line Bleeds,' which had young black men as its main characters, I was very invested in telling the story and also very worried about the effects the story would have.
[Adolf Hitler] had a very definite charm which enthralled most people who got to know him.
I had the fortune to evolve at a time when fashion was very important, and women dressed themselves very well. A woman who dressed very well also had a husband who would have beautiful collections of art and decorative objects.
I worked very hard to try and figure out what I thought and I believed that we were going to succeed and that revolutions would happen globally and we would be a part of that and we would have then not capitalism. We would have values based on human lives, not profit. We would actually transform the kinds of ways people built love and built community. It was a very shocking thing to me, out of the end of the 70s and the beginning of the 80s, to realize that that dream - while I still believed in it - was not going to happen in the way that I had hoped.
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