A Quote by Alfred Lord Tennyson
Some full-breasted swan That, fluting a wild carol ere her death, Ruffles her pure cold plume, and takes the flood With swarthy webs.
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Shiva... is the only hunter that will ever catch the wild swan; The prey she will take last is the wild white swan of the beauty of things. Then she will be alone, pure destruction, achieved and supreme, Empty darkness under the death-tent wings. She will build a nest of the swan's bones and hatch a new brood, Hang new heavens with new birds, all be renewed.
The dancer's trembling heart must bring everything into harmony, from the tips of her shoes to the flutter of her eyelashes, from the ruffles of her dress to the incessant play of her fingers.
The silver Swan, who, living, had no Note, when Death approached, unlocked her silent throat. Leaning her breast upon the reedy shore, thus sang her first and last, and sang no more: 'Farewell, all joys! O Death, come close mine eyes! More Geese than Swans now live, more Fools than Wise.'
I wanted to tell her that she was the first beautiful thing I had seen in three years. That the sight of her yawning to the back of her hand was enough to drive the breath from me. How I sometimes lost the sense of her words in the sweet fluting of her voice. I wanted to say that if she were with me then somehow nothing could ever be wrong for me again.
The dying swan, when years her temples pierce, In music-strains breathes out her life and verse, And, chanting her own dirge, tides on her wat'ry hearse.
English literature, from the days of the minstrels to the Lake Poets,--Chaucer and Spenser and Milton, and even Shakespeare, included,--breathes no quite fresh and, in this sense, wild strain. It is an essentially tame and civilized literature, reflecting Greece and Rome. Her wildness is a greenwood, her wild man a Robin Hood. There is plenty of genial love of Nature, but not so much of Nature herself. Her chronicles inform us when her wild animals, but not the wild man in her, became extinct.
The Winter Woman is as wild as a blizzard, as fresh as new snow. While some see her as cold, she has a fiery heart under that ice-queen exterior. She likes the stark simplicity of Japanese art and the daring complexity of Russian literature. She prefers sharp to flowing lines, brooding to pouting, and rock and roll to country and western. Her drink is vodka, her car is German, her analgesic is Advil. The Winter Woman likes her men weak and her coffee strong. She is prone to anemia, hysteria, and suicide.
Her lips were red, her looks were free, Her locks were yellow as gold: Her skin was white as leprosy, The Nightmare Life-in-Death was she, Who thicks man's blood with cold.
Through her, in microcosm, the wide earth sobbed. The starglobe sank in her; the colours faded. The death-dew rose and the wild birds in her breast climbed to her throat and gathered songless, hovering, all tumult, wing to wing, so ardent for those climes where all things end.
The wild swan's death-hymn took the soul Of that waste place with joy Hidden in sorrow: at first to the ear The warble was low, and full and clear.
By Fate full many a heart has been undone, And many a sprightly rose made woe-begone; Plume thee not on thy lusty youth and strength: Full many a bud is blasted ere its bloom.
There's a man who's been out sailing In a decade full of dreams And he takes her to a schooner And he treats her like a queen Bearing beads from California With their amber stones and green He has called her from the harbor He has kissed her with his freedom He has heard her off to starboard In the breaking and the breathing Of the water weeds While she was busy being free
But there was not a moment when she did not see Carol in her mind, and all she saw, she seemed to see through Carol. That evening, the dark flat streets of New York, the tomorrow of work, the milk bottle dropped and broken in her sink, became unimportant. She flung herself on her bed and drew a line with a pencil on a piece of paper. And another line, carefully, and another. A world was born around her, like a bright forest with a million shimmering leaves.
The comic book writer Kelly Sue DeConnick really uniquely tapped into Carol Danvers - not just her toughness and her power, but also her vulnerability.
Her name sprang to my lips at moments in strange prayers and praises which I myself did not understand. My eyes were often full of tears (I could not tell why) and at times a flood from my heart seemed to pour itself out into my bosom. I thought little of the future. I did not know whether I would ever speak to her or not or, if I spoke to her, how I could tell her of my confused adoration.
But who knows what she spoke to the darkness, alone, in the bitter watches of the night, when all her life seemed shrinking, and the walls of her bower closing in about her, a hutch to trammel some wild thing in?
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