A Quote by Alfred Molina

The big stars I felt a kinship with were never the romantic leads. It wasn't Steve McQueen or Robert Redford - it was people like Walter Matthau and Anthony Quinn. My big hero was Tommy Cooper.
I always related most to Steve McQueen because he was more of an outcast than Robert Redford or Paul Newman.
I remember when we were at Sundance, we were in Robert Redford's screening room, and I had never seen the film look so beautiful or sound so great. It was really big and really powerful, and I had a sense of accomplishment in finishing a project like this.
Robert DeNiro, who may be the greatest living actor, usually acts in a way which is very stone-faced, like Steve McQueen. For example, Steve McQueen, if you cut the sound, you don't know what he's acting really. He gives to the lines, to the text, something very special, and he's very good. He was a great actor. But, to do a silent movie, you have to have more expressive actors.
You know what I did? I turned down an offer to do 'Enemy of the People' with Steve McQueen. It doesn't matter that the film was never really released. A movie like that, successful or not, adds to your credits. It leads to other roles.
Walter Matthau made all the big money and he was wonderful as Oscar Madison on the stage. You couldn't beat him. I know because I replaced him on Broadway. He was just delightful.
I met Robert Redford at the Golden Globes because he stepped on my foot. He stepped on my foot as he was walking by, and he was like, 'Oh, I'm so sorry!' And I was like, 'It's all right. Robert Redford can step on my foot.'
Robert DeNiro, who may be the greatest living actor, usually acts in a way which is very stone-faced, like Steve McQueen.
I think what Robert Redford established is amazing; thank god for Robert Redford. He's set an amazing example with Sundance and I hope to follow that in my own way.
A handful of older, romantic leading men, like Sean Connery, Jack Nicholson, and Robert Redford are still landing parts.
[Out To Sea] was like a dream come true for me, because I got to work with Jack [Lemmon] and Walter [Matthau], who were unbelievable.
I was always attracted to the type of cinema hero as an adolescent growing up in Ireland. Robert Mitchum springs to mind. Later on, it was Steve McQueen to a certain extent and Charles Bronson. They're these types of grizzled characters who had one foot on the side of law and order and the other foot in the bad guy's camp.
I was 23, and all sorts of people were coming in and out and watching me, like Steve Allen and Bette Midler. David Brenner certainly took me under his wing. To drive home to my little dump in New Jersey often knowing that Steve Allen said, 'You got it' - that validation kept me going in a big, big way.
Steve McQueen is my style hero. He's just cool, isn't he?
When I first came in the league, I thought Jack Clark and Steve Garvey were big. Then all of sudden it seemed like everyone was that big.
My heroes are Robert Duvall, Forest Whitaker, Ed Harris, Tommy Lee Jones, Anthony Hopkins and Sean Penn.
We got to be really good friends [Jack Lemmon and Walter Matthau]. It was just thrilling, every day. Every single day. I had a big couple of musical numbers in [Out to Sea], and I remember doing one of them and shooting it from beginning to end.
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