A Quote by Alfred Molina
I enjoy playing villains - I'm very proud that I belong to a very honorable tradition of British actors who come to Hollywood to play the bad guys. At some point in American film, I think there was the idea that the British accent had a tone to it that's a little bit naughty.
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There's an honourable tradition of British actors who've gone to Hollywood playing baddies. Part of that is because we grow up with Richard III and Macbeth - we're not afraid of our villains.
My accent has changed my whole life. When I was younger, it was very Nigerian, then when we went to England, it was very British. I think I have a very strange, hybrid accent, and I've worked very hard to get a solid American accent, which is what I use most of the time.
America has had an influence on me, as has going out with a Cuban-American guy and having lots of American friends. But I am still fundamentally British and speak with a British accent and feel very English.
I'm somebody who is very, very proud to have been a part of the British film industry all my life and to have kind of been involved with a very important piece of British film history.
After 'The Gamekeeper' I made one other film called 'Looks and Smiles,' but making British films was very difficult. There wasn't a tradition of British cinema.
The problem with the British film industry is that it's really the American film industry, or a small branch of in lots of ways because of the common language. But it's great to see some individual voices still there. I think I probably gravitate towards a slightly more European, auteur model rather than the studio thing. I think it would be great if British films were a little bit more auteur driven.
I live in L.A. so I worry my kids aren't that connected to Britain, I suppose I don't want them to become American kids. We try to get back three or four times a year. When they go to school they speak with a British-American accent but when they come home to us they go back to their British accent.
But you know we couldn't compare what we do with what the British athletes did at the Olympics. We are very proud to be British and if we have done our bit to promote Britain in a historic year for the country that's brilliant.
I live in LA so I worry my kids aren't that connected to Britain, I suppose I don't want them to become American kids. We try to get back three or four times a year. When they go to school they speak with a British-American accent but when they come home to us they go back to their British accent, so I can deal with that.
In the same way the Brits had to get used to the idea that the sun had set on the British Empire, I think that there's the subrosa feeling that we are at the end of the American century, and I think that's very, very hard for Americans to take.
In the late 1930s, both the British and American movie industries made a succession of films celebrating the decency of the British Empire in order to challenge the threatening tide of Nazism and fascism and also to provide employment for actors from Los Angeles's British colony. The best two were Hollywood's Gunga Din and Britain's The Four Feathers...
We've never adopted Americanisms. We are a very British band from a very British cultural scene. We fly that flag and that is something I enjoy.
No, I'm very patriotic. I'm very British and I'm very pro-British, but that in no way means you therefore exterminate anybody else you meet who doesn't come from Britain!
I grew up in a very British family who had been transplanted to Canada, and my grandmother's house was filled with English books. I was a very early reader, so I was really brought up being surrounded with piles of British books and British newspapers, British magazines. I developed a really great love of England.
I think it would be a problem if Hollywood was casting British actors only as villains; if that were the case, then certainly there would be cause for concern.
I think I come from a theatrical tradition where, if you look at the great theatrical actors of the British theatre, they took enormous pride in being wildly different from one role to the next. That's the tradition I come from.
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