A Quote by Alfred Nobel

For me writing biographies is impossible, unless they are brief and concise, and these are, I feel, the most eloquent. — © Alfred Nobel
For me writing biographies is impossible, unless they are brief and concise, and these are, I feel, the most eloquent.
Soldiers are the foundation of an army; unless they are imbued with a progressive political spirit, and unless such a spirit is fostered through progressive political work, it will be impossible to achieve genuine unity between officers and men, impossible to arouse their enthusiasm for the War of Resistance to the full, and impossible to provide an excellent basis for the most effective use of all our technical equipment and tactics.
I have a hard time writing. Most writers have a hard time writing. I have a harder time than most because I'm lazier than most. [...] The other problem I have is fear of writing. The act of writing puts you in confrontation with yourself, which is why I think writers assiduously avoid writing. [...] Not writing is more of a psychological problem than a writing problem. All the time I'm not writing I feel like a criminal. [...] It's horrible to feel felonious every second of the day. Especially when it goes on for years. It's much more relaxing actually to work.
I love writing. I never feel really comfortable unless I am either actually writing or have a story going. I could not stop writing.
I have a talent for silence and brevity. I can keep silent when it seems best to do so, and when I speak I can, and do usually, quit when I am done. This talent, or these two talents, I have cultivated. Silence and concise, brief speaking have got me some laurels, and, I suspect, lost me some. No odds. Do what is natural to you, and you are sure to get all the recognition you are entitled to.
I hate biographies which say, I was called to such and such an office, and he offered me so and so, and I got so and so money. I find that very tedious. The best biographies are written by other people.
Writing Charles Dickens' biography is like writing five biographies.
It is impossible to win the race unless you venture to run, impossible to win the victory unless you dare to battle.
Vigorous writing is concise.
Writing fiction is very different to writing non-fiction. I love writing novels, but on history books, like my biographies of Stalin or Catherine the Great or Jerusalem, I spend endless hours doing vast amounts of research. But it ends up being based on the same principle as all writing about people: and that is curiosity!
And for me, I think of the group as one in which there's always this pendulum swinging back and forth between writing shorter, more concise pieces until we get kind of sick of it and then writing pieces that get more sprawling and experimental and explore in different directions.
I reject your impossible. Most of what others tell me is impossible I know to be improbable. If it is impossible you have nothing more to do but if it is improbable...you can choose to ask the unasked question or walk the unwalked step. For me that has made all the difference.
I want my stories to be understood and enjoyed by anyone, so I need 'beta-readers' who will tell me when the plot is working or not working, and when my writing is concise or vague.
No one can stop a home run. No one can understand what it really is, unless you have felt it in your own hands and body. As the ball makes its high, long arc beyond the playing field, the diamond and the stands suddenly belong to one man. In that brief, brief time, you are free of all demands and complications.
If you know anything about writing biographies, or what is regarded as a good biography, you have minimum input from the person you are writing about.
My writing is of a very different kind from anything I've heard about. All this mythological material is out there, a big gathering of stuff, and I have been reading it for some forty- or fifty-odd years. There are various ways of handling that. The most common is to put the material together and publish a scholarly book about it. But when I'm writing, I try to get a sense of an experiential relationship to the material. In fact, I can't write unless that happens ... I don't write unless the stuff is really working on me, and my selection of material depends on what works.
I have never written a play, a story, a poem, or my one film - anything - unless something was troubling me enough, wrecking me, in fact, to drive me back into the absurdity of writing. I do not enjoy writing.
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