A Quote by Alfred North Whitehead

Identification of rhythm as the casual counterpart of life; wherever there is some life, only perceptible to us when the analogies are sufficiently close. — © Alfred North Whitehead
Identification of rhythm as the casual counterpart of life; wherever there is some life, only perceptible to us when the analogies are sufficiently close.
There is music wherever there is rhythm, as there is life wherever there beats a pulse.
The fact that I spent my life in universities in a manner that I no longer have close identification with bricklayers is a pain to me.
One can ascend to a higher development only by bringing rhythm and repetition into one's life. Rhythm holds sway in all nature.
Some of us only meet in the most fleeting moments; some of us never meet, but still hear about one another and therefore cherish what we know from what we've heard, and mourn the loss, even though we're spared what the close-loved ones must endure - the ongoing pain of an empty place in the heart for the rest of life.
Inspiration comes from books, music, films and of course, living memories and life experiences, my own and those of people I've known or met; the casual glimpse from the stranger or the life and death of the close relative; to breathe, for a moment, a Chekhovian air, it's all song and ice.
At the risk, then, of being shunned by some of my gloomier peers, I venture to tell you that writers work like demons, suffer greatly, and are also happy, in unmistakable ways, some of the time. If we had no knowledge of happiness, our novels wouldn't sufficiently resemble real life. Some of us are even made a little bit happy, on occasion, by the writing process itself. I mean, really, if there wasn't some sort of enjoyment to be derived, would any of us keep doing it?
We wander through this life together in a semi-darkness in which none of us can distinguish exactly the features of his neighbour. Only from time to time, through some experience that we have of our companion, or through some remark that he passes, he stands for a moment close to us, as though illuminated by a flash of lightning. Then we see him as he really is.
All life requires a rhythm of rest. . . There is a rhythm in the way day dissolves into night, and night into morning. There is a rhythm as the active growth of spring and summer is quieted by the necessary dormancy of fall and winter. There is a tidal rhythm, a deep, eternal conversation between the land and the great sea.
How easily we make things as way, truth, and life. Or, we call hot atmosphere as life, we label clear thought as life. We consider strong emotion or outward conduct as life. In reality, though, these are not life. We ought to realize that only the Lord is life. Christ is our life. And it is the Lord who lives out this life in us. Let us ask Him to deliver us from the many external and fragmentary affairs that we may touch only Him. May we see the Lord in all things-way, truth, and life are all found in knowing Him. May we really meet the Son of God and let Him live in us. Amen.
TV acting is so extremely intimate, because of the peculiar involvement of the viewer with the completion or "closing" of the TV image, that the actor must achieve a great degree of spontaneous casualness that would be irrelevant in movie and lost on the stage. For the audience participates in the inner life of the TV actor as fully as in the outer life of the movie star. Technically, TV tends to be a close-up medium. The close-up that in the movie is used for shock is, on TV, a quite casual thing.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
Where I come from we say that rhythm is the soul of life, because the whole universe revolves around rhythm, and when we get out of rhythm, that’s when we get into trouble.
True. The one certainty about riding, Braygan, is that - at some time - you will fall off. It is a fact. Another fact you might like to consider, in your life of perpetual terror, is that you will die. We are all going to die, some of us young, some of us old, some of us in our sleep, some of us screaming in agony. We cannot stop it, we can only delay it.
I close my eyes. An image flashes—emerging from the van with Julian after our escape from New York City; believing, in that moment, that we had escaped the worst, that life would begin again for us. Instead life has only grown harder.
Since life on Earth is, so far, the only known example of life in the universe, our dilemma may simply be that we have no other examples to compare us with. If we did, then the life/non-life transition might look downright simple to us.
It [music] has an awakening function. Life is a rhythm. Art is an organization of rhythms. Music is a fundamental art that touches our will system. In Schopenhauer's The World as Will and Idea he speaks of music as the sound that awakens the will. The rhythm of the music awakens certain life rhythms, ways of living and experiencing life. So it's an awakener of life.
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