A Quote by Alfred Schnittke
For almost thirty years I repeatedly saw one and the same dream: I would arrive in Vienna at long last. I would feel really happy, for I was returning to my serene childhood.
Related Quotes
Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make their eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days.
My parents came a long time ago to Vienna, met in Vienna. Of course they had to go through a lot also, but we're very happy to have our home in Vienna.
Even now, as I write this, I can still feel that tightness. And I want you to feel it--the wind coming off the river, the waves, the silence, the wooded frontier. You're at the bow of a boat on the Rainy River. You're twenty-one years old, you're scared, and there's a hard squeezing pressure in your chest. What would you do? Would you jump? Would you feel pity for yourself? Would you think about your family and your childhood and your dreams and all you're leaving behind? Would it hurt? Would it feel like dying? Would you cry, as I did?
To praise it would amount to praising myself. For the entire content of the work... coincides almost exactly with my own meditations which have occupied my mind for the past thirty or thirty-five years.
Around me the moonlight glittered on the pebbles of the llano, and in the night sky a million stars sparkled. Across the river I could see the twinkling lights of the town. In a week I would be returning to school, and as always I would be running up the goat path and crossing the bridge to go to church. Sometime in the future I would have to build my own dream out of those things that were so much a part of my childhood.
Most of my childhood revolved around wondering when we would be blown up by the Russians. I couldn't stand the news, I knew that if the missile were launched, mortality would arrive in half an hour, so I spent a lot of my childhood feeling that I was 30 minutes from being dead.
What would you do? Would you jump? Would you feel pity for yourself? Would you think about your family and your childhood and your dreams and all you're leaving behind? Would it hurt? Would it feel like dying? Would you cry, as I did?
How long do we have to deal with conservative failure? How long? Thirty years is not enough? So I would say enough with that, and I would say check out the Center for American Progress, and the writings by Patrick Garofalo, economic guru. That's what I would say.
If someone harmed or tortured or killed one of my children I'd feel everything almost anyone else would feel. I'd probably have intense feelings of revenge. But these feelings would fade. In the end they're small and self-concerned. Only the grief would last.
I shall be thirty-one next birthday. My youth is gone like a dream; and very little use have I ever made of it. What have I done these last thirty years? Precious little.
I spent a long time experimenting, saying, 'Here's a record that's free, or $5 if you want a nice version or $250 if you'd like a really nice coffee-table thing.' Everything felt like the right thing to do at the time and then six months later would feel tired. And I would feel tired. So that's one reason for returning to a major label.
Bernard [Leach] had acquired many [Shoji] Hamada works. Some of them, it was interesting - first of all, Hamada worked in St. Ives for about four years before returning to Japan to start his own pottery. He had exhibitions in London, and if these exhibitions didn't sell out, the galleries were instructed to send the remaining work down to the Leach Pottery, where they would go into the showroom for sale. If Bernard saw one that hadn't sold that he really admired, then he would take it (he would buy it), and it would go into the house.
For a time I would feel I belonged still to a world of straightforward facts; but the feeling would not last long. Something would turn up to scare it away.
If we dreamed the same thing every night, it would affect us much as the objects we see every day. And if a common workman were sure to dream every night for twelve hours that he was a king, I believe he would be almost as happy as a king who should dream every night for twelve hours on end that he was a common workman.
The things we saw happen in the last four years of the Obama administration would all, or many of them, go away under a President Gingrich. It would be a huge setback.
My dream writing room would be the Imperial Library in Vienna.
Related Authors
Alexandre Desplat Quotes
French
Composer
Andrew Lloyd Webber Quotes
British
Composer
Anu Malik Quotes
Indian
Composer
Henry Mancini Quotes
American
Composer
Igor Stravinsky Quotes
Russian
Composer
John Cage Quotes
American
Composer
John Walter Bratton Quotes
American
Composer
Krzysztof Penderecki Quotes
Polish
Composer
Ludwig van Beethoven Quotes
German
Composer
Michael Giacchino Quotes
American
Composer
Pauline Oliveros Quotes
American
Composer
Ramin Djawadi Quotes
German
Composer
Richard Wagner Quotes
German
Composer
Ryuichi Sakamoto Quotes
Japanese
Composer
Stephen Hough Quotes
British
Composer
Stephen Sondheim Quotes
American
Composer