A Quote by Alfred Schnittke
For a solo work I need a definite idea. For the present I have none.
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I strive for what you do find in Shakespeare's work - that there is a definite humanity and a definite character behind the writing in the sonnets, and it's very real because it's so deeply personal. I try to aspire to that in what I do.
Third, consider the insistency of an idea. The insistency of a past idea with reference to the present is a quantity which is less, the further back that past idea is, and rises to infinity as the past idea is brought up into coincidence with the present.
I did Kyoto and traveled through some of Japan, solo. That was a really interesting experience. I felt very safe there as a female solo traveler, and I think you always need to be conscious of that.
I'm very honest about the things I struggle with and I need to work on to survive as a solo artist.
Morality represents for everybody a thoroughly definite and ascertained idea: the idea of human conduct regulated in a certain manner.
I think there is more creative freedom as a solo artist by far because you might get a group push back on an idea because it's more of a democratic process. You can sink or swim on your own ideas on a solo project.
In today's climate in our country, which is sickened with the pollution of pollution, threatened with the prominence of AIDS, riddled with burgeoning racism, rife with growing huddles of the homeless, we need art and we need art in all forms. We need all methods of art to be present, everywhere present, and all the time present.
A band has a certain responsibility to work songs for years and stick to rules more. A solo artist can just do whatever they want, and also present themselves as somebody who's just singing about their life.
If you are one of those people who believe that hard work and honesty alone will bring riches-perish the thought; because it's not true. Riches, when they come in huge quantities, are never the result of hard work. Riches come if they come at all, in response to definite demands, based upon the application of definite principles, and not by chance or luck.
'Caught' is a novel of forgiveness, and the past and the present - who should be and who shouldn't be forgiven. None of my books are ever just about thrills, or it won't work.
If everybody wanted to follow the left side of the pallet like I had on 'Tusk,' there would have been no need for me to do solo work.
Have I then no work to work in this great matter of my pardon? None. What work canst thou work? What work of thine can buy forgiveness or make thee fit for the Divine favour? What work has God bidden thee work in order to obtain salvation? None. His Word is very plain and easy to be understood, "To him that worketh not, but believeth in Him that justifieth the ungodly, his faith is counted for righteousness" (Rom. 4:5). There is but one work by which a man can be saved. That work is not thine, but the work of the Son of God. That work is finished.
When people asked to buy my work I always said no. I'd had this rather rarefied idea that I didn't want money going through my head while I was making work. But after the car crash I realized that none of my work was owned by anyone. After that, I grew up a bit.
We need to tell Australian stories,we need to encourage and fund and present Australian work but we also need to understand that for a sophisticated, educated, culturally aware, modern nation we can't be parochial.
Prayer is not a preparation for work, it IS work. Prayer is not a preparation for the battle, it IS the battle. Prayer is two-fold: definite asking and definite waiting to receive.
Most ideas are stillborn and need the breath of life injected into them through definite plans of immediate action. The time to nurse an idea is at the time of its birth. Every minute it lives gives it a better chance of surviving.
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