A Quote by Alfred Sisley

I always start a painting with the sky. — © Alfred Sisley
I always start a painting with the sky.
The coming and going of birth and death is a painting. Unsurpassed enlightenment is a painting. The entire phenomenal universe and the empty sky are nothing but a painting.
The thoughts that occur to me while I’m running are like clouds in the sky. Clouds of all different sizes. They come and they go, while the sky remains the same sky always. The clouds are mere guests in the sky that pass away and vanish, leaving behind the sky.
Sky of blackness and sorrow, sky of love, sky of tears. Sky of glory and sadness, sky of mercy, sky of fear.
The painting is always done very much with [the model's] co-operation. The problem with painting a nude, of course, is that it deepens the transaction. You can scrap a painting of someone's face and it imperils the sitter's self-esteem less than scrapping a painting of the whole naked body.
Not every painter has a gift for painting, in fact, many painters are disappointed when they meet with difficulties in art. Painting done under pressure by artists without the necessary talent can only give rise to formlessness, as painting is a profession that requires peace of mind. The painter must always seek the essence of things, always represent the essential characteristics and emotions of the person he is painting.
When you start a painting, it is somewhat outside you. At the conclusion, you seem to move inside the painting.
Usually people start with painting and then go on to make installations; my painting came from installation.
Music is an amazing thing. I don't know if we really think about it the same way we consider a painting an amazing thing. I mean, a painting is, in quotes, imaginary. There is nothing on the canvas when you start; and writing a song, there is nothing there when you start.
I've always thought of the sky as, like, an open canvas. When I was a kid and I looked at the sky, I always remember being able to daydream, just looking at the sky, being creative, being able to design things. What would happen if we had no sky? Where would we be? Well, obviously, scientifically, without an atmosphere, we'd all be dead.
I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting.
So, probably … when I started painting the pelvis bones I was most interested in the holes in the bones — what I saw through them- particularly the blue from holding them up in the sun against the sky as one is apt to do when one seems to have more sky than earth in one’s world … they were most beautiful against the Blue — that Blue that will always be there as it is now after all man’s destruction is finished.
When I get my hands on painting materials I don't give a damn about other people's painting... every generation must start again afresh.
I love art so much because of curiosity. At the start of a painting, I know 10 percent of what the painting will be, and then I have to improvise the whole thing.
A building is akin to dogma; it is insolent, like dogma. Whether or no it is permanent, it claims permanence, like a dogma. People ask why we have no typical architecture of the modern world, like impressionism in painting. Surely it is obviously because we have not enough dogmas; we cannot bear to see anything in the sky that is solid and enduring, anything in the sky that does not change like the clouds of the sky.
I roll onto my side and stare out the venetian blinds at the blue sky beyond. After a few minutes I'm lulled into a sort of peace. The sky, the sky--same as it always was.
If you start painting yourself into a corner, life starts shutting down. There is always hopefully a next.
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