A Quote by Alfred Stieglitz

If you can imagine photography in the guise of a woman and you’d ask her what she thought of Stieglitz, she’d say: He always treated me like a gentleman. — © Alfred Stieglitz
If you can imagine photography in the guise of a woman and you’d ask her what she thought of Stieglitz, she’d say: He always treated me like a gentleman.
She can kill with a smile. She can wound with her eyes. She can ruin your faith with her casual lies. And she only reveals what she wants you to see. She hides like a child, but she's always a woman to me.
I was the first person that had been so kind to Iman Abdulmajid. As time went on, and she became successful, signed with an agency, when she had to make big decisions, she wouldn't always talk to an agent, she'd ask me. I'd give her good advice and she'd be on her way. When I had ideas to do things like the Black Girls Coalition, I would always talk to her, she always loved my ideas. She trusts me.
In the last workshop I taught, a woman flew in from Thailand. She's a medical doctor in Bangkok. I asked her in her one-on-one session where she wanted photography to be in her life.Did she want a second career? Was it about earning money? Or was it art? And she said "None of those. I want photography to be serious in my life." It would be like someone wanting music, like piano playing, to be a richer, deeper, and maybe even harder experience.
At 19, if a woman said no, no meant no. If she didn't say anything and she was open, and she was down, it was like how far can I go? If I touch her breast and she's down for me to touch her breast, cool. If I touch her lower, and she's down and she's not stopping me, cool. I'm going to kiss her or whatever. It was simply if a woman said no or pushed you away that was non-consent.
I've always thought photography was an art form, but it had very low appreciation in the beginning, except for some Europeans, and of course Stieglitz. Stieglitz always considered photography to be an art form and is the "father" of the creative concepts of the twentieth century.
She couldn't imagine why there was such a difference between those children and her. She couldn't imagine why she and all these other people with her had to be treated this way. Who decided this, and what for?
I like woman who doesn't necessarily care if other people like her. She is she who she is and figures people can take it or leave it. What I do like is a woman who has the guts to tell exactly as she feels. It's not appealing when a woman dresses to please a man. It's way more attractive if she has her own distinct style and wears what she feels best in.
I'd always ask my grandma, who was so, so smart, why she didn't work, and she would explain that her parents didn't approve of her working after she had children. She didn't feel like she had choices.
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
I talked to my mother about it a lot. I asked her what it was like to grow up in New York and Harlem in the 1920s and 1930s, and I asked her about a woman leaving her husband. I asked her about how she would feel about that woman, and my mother grew up in the Church Of God In Christ, and she told me that the woman might be isolated because the other women thought she might go and come after their husbands. That's how they thought then.
My mother is a great artist, but she always treated her paintings like minor postcards. Had she pursued it, she would have been a great artist. Instead, she looked down on her art.
After I'd met her, a mutual friend prompted me to ask her out for dinner, but she said she had a night shoot. I thought it was her gentle way of rejecting me. The next day she invited me for a drink at the Pierre hotel, which turned into a three-hour talk.
The moment I was introduced to my wife, Emma, at a party I thought, here she is - and 20 minutes later I told her she ought to marry me. She thought I was as mad as a rat. She wouldn't even give me her telephone number - and she wrote in her diary: 'A funny little man asked me to marry him.'
The moment I was introduced to my wife, Emma, at a party I thought, here she is - and 20 minutes later I told her she ought to marry me. She thought I was as mad as a rat. She wouldn't even give me her telephone number - and she wrote in her diary: "A funny little man asked me to marry him."
What's so lovely about Wonder Woman is yes, she has the strength and power of a goddess, but she has the heart and mind of a human. So I play her as I think a woman like me would act in the situations she's going through. You treat her as a normal woman who happens to be fantastic and almighty.
A woman will test you to see if you are what you say you are. Any woman that you fall in love with: She loves you too, but she's going to try you; that's her nature. She has to know that she can depend on you; she has to know that you will stand up for her. She has to know that you will back up the children that she brings in the world for us.
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