A Quote by Algernon Charles Swinburne
Love, as is told by the seers of old,
Comes as a butterfly tipped with gold,
Flutters and flies in sunlit skies,
Weaving round hearts that were one time cold.
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With the rose the butterfly's deep in love,
A thousand times hovering round;
But round himself, all tender like gold,
The sun's sweet ray is hovering found.
The earliest storytellers were magi, seers, bards, griots, shamans. They were, it would seem, old as time, and as terrifying to gaze upon as the mysteries with which they wrestled .. (they) helped the community live though one more darkness, with eyes wide open, and with hearts set alight.
Love is like a butterfly
As soft and gentle as a sigh
The multicolored moods of love are like its satin wings
Love makes your heart feel strange inside
It flutters like soft wings in flight
Love is like a butterfly, a rare and gentle thing.
I heard my first laughter on stage, when I was about 10 years old. It was gold pantomime and I remember I was playing Baron Fitznoodle, who was the father of the ugly sisters in "Cinderella." And I walked on and got a great big laugh and I thought that was fantastic, until I looked down and found that my flies were open. And so I always check my flies. I even check my flies on radio.
There's a metaphor Vincent Eades likes to use: "If you examine a butterfly according to the laws of aerodynamics, it shouldn't be able to fly. But the butterfly doesn't know that, so it flies.
I love the chill October days, when the brown leaves lie thick and sodden underneath your feet ... the evenings in late autumn time, when the white mist creeps across the fields, making it seem as though old Earth, feeling the night air cold to its poor bones, were drawing ghostly bedclothes round its withered limbs.
When a butterfly flutters its wings in one part of the world, it can eventually cause a hurricane in another.
Old sundial, you stand here for Time: For Love, the vine that round your base, Its tendrils twines, and dares to climb, And lay one flower-capped spray in grace, Without the asking on your cold, Unsmiling and unfrowning face.
A society where the simple many obey the few seers can live; a society where all were seers could live even more fully. But a society where the mass is still simple and the seers are no longer attended to can achieve only superficiality, baseness, ugliness, and in the end extinction. On or back we must go: to stay here is death.
My treasure chest is filled with gold.
Gold . . . gold . . . gold . . .
Vagabond's gold and drifter's gold . . .
Worthless, priceless, dreamer's gold . . .
Gold of the sunset . . . gold of the dawn . . .Gold of the showertrees on my lawn . . .
Poet's gold and artist's gold . . .
Gold that can not be bought or sold -
Gold.
It occurs to me that the peculiarity of most things we think of as fragile is how tough they truly are. There were tricks we did with eggs, as children, to show how they were, in reality, tiny load-bearing marble halls; while the beat of the wings of a butterfly in the right place, we are told, can create a hurricane across an ocean. Hearts may break, but hearts are the toughest of muscles, able to pump for a lifetime, seventy times a minute, and scarcely falter along the way. Even dreams, the most delicate and intangible of things, can prove remarkable difficult to kill.
Most comics point out what everyone else is thinking but hadn't thought of verbalizing. I guess, in a way, that makes most comics seers. It just depends in what category - some choose to be the seers of relationships, some are seers of racial issues, and some are seers of political issues.
I don't think that there's a target audience at all. These stories were in circulation. The stories were told by men, told in the marketplace by men, but also behind doors by women, but there's no real record of this. It's likely they were told by women to children in their interior rooms. The story could be a negative story, they could be presented as a, "Watch out! Women will get round you, do things to you, weave you in their toils." It could be buried in it an old cautionary story about women and their wiles.
All that glitters is not gold; Often have you heard that told: Many a man his life has sold But my outside to behold: Gilded tombs do worms enfold Had you been as wise as bold, Your in limbs, in judgment old, Your answer had not been in'scroll'd Fare you well: your suit is cold.' Cold, indeed, and labour lost: Then, farewell, heat and welcome, frost!
The word unto the prophet spoken Was writ on tablets yet unbroken: The word by seers or sibyls told, In groves of oak or fanes of gold, Still floats upon the morning wind, Still whispers to the willing mind.
We saw Time's varied traces Were deep on every hand - Indeed, upon the people, More marked than on the land. The bands that once with firmness Could grasp the axe and blade, Now move with trembling motion, By strength of nerve decayed. The change in form and feature And furrows on the cheek Of Time's increasing volume, In plain, round numbers speak. And thus, as in a mirror's Reflection, we were told, With stereotyped impressions, The fact of growing old.
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