A Quote by Algernon Charles Swinburne
There is no such thing as a dumb poet or a handless painter. The essence of an artist is that he should be articulate.
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The young artist of today need no longer say 'I am a painter,' or 'a poet,' or 'a dancer.' He is simply an 'artist.' All of life will be open to him.
Many have genius, but, wanting art, are forever dumb. The two must go together to form the great poet, painter, or sculptor.
Although the poet has as wide a choice of subjects as the painter, his creations fail to afford as much satisfaction to mankind as do paintings... if the poet serves the understanding by way of the ear, the painter does so by the eye, which is the nobler sense.
The great artist, whether he be musician, painter, or poet, is known for this absolute unexpectedness.
The artist does not exist except as a personification, a figure of speech that represents the sum total of art itself. It is painting that is the genius of the painter, poetry of the poet, and a person is a creative artist to the extent that he participates in that genius.
The greatest benefit we owe to the artist, whether painter, poet, or novelist, is the extension of our sympathies.
I think a poet, like a painter, should be a craftsperson.
A photographer is a photographer and an artist is an artist. I don't believe in labels or titles. Why should a painter or sculptor who has probably never challenged the rules be an artist just because his title and an art school education automatically make him one.
It's a big thing to call yourself a poet. All I can say is that I have always written poems. I don't think I'm interested in any discussion about whether I'm a good poet, a bad poet or a great poet. But I am sure, I want to write great poems. I think every poet should want that.
The great poet is a great artist. He is painter and sculptor. The greatest pictures and statues have been painted and chiseled with words. They outlast all others.
There should be a law that no ordinary newspaper should be allowed to write about art. The harm they do by their foolish and random writing it would be impossible to overestimate--not to the artist but to the public.... Without them we would judge a man simply by his work; but at present the newspapers are trying hard to induce the public to judge a sculptor, for instance, never by his statues but by the way he treats his wife; a painter by the amount of his income and a poet by the colour of his necktie.
Both poet and painter want to reach the silence behind the language, the silence within the language. Both painter and poet want their work to shine not only in daylight but (by whatever illusionist magic) from within.
Use anger to emotionalize whatever thing you intend to do in life - being a painter, a poet or a photographer
The poet or the revolutionary is there to articulate the necessity, but until the people themselves apprehend it, nothing can happen ... Perhaps it can't be done without the poet, but it certainly can't be done without the people. The poet and the people get on generally very badly, and yet they need each other. The poet knows it sooner than the people do. The people usually know it after the poet is dead; but that's all right. The point is to get your work done, and your work is to change the world.
Basically, an artist should be a mirror, or a reflection of society or his or her environment. What you see is what you can articulate.
A life lived in chaos is an impossibility for the artist. No matter how unstructured may seem the painter's garret in Paris or the poet's pad in Greenwich Village, the artist must have some kind of order or he will proudce a very small body of work. To create a work of art, great or small, is work, hard work, and work requires discipline and order.
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