A Quote by Algernon Charles Swinburne
There lived a singer in France of old By the tideless dolorous midland sea. In a land of sand and rain and gold There shone one woman, and none but she.
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The unicorn lived in a lilac wood, and she lived all alone. She was very old, though she did not know it, and she was no longer the careless color of sea foam but rather the color of snow falling on a moonlit night. But her eyes were still clear and unwearied, and she still moved like a shadow on the sea.
Inside that darkness, i saw rain falling on the sea. Rain softly falling on a vast sea, with no one there to see it. The rain strikes the surface of the sea, yet even the fish don't know it is raining.
These joys were so trifling as to be as imperceptible as grains of gold among the sand, and in moments of depression she saw nothing but the sand; yet there were brighter moments when she felt nothing but joy, saw nothing but the gold.
When America was first made known to Europe, the part assumed by France on the borders of that new world was peculiar, and is little recognized. While the Spaniard roamed sea and land, burning for achievement, red-hot with bigotry and avarice, and while England, with soberer steps and a less dazzling result, followed in the path of discovery and gold-hunting, it was from France that those barbarous shores first learned to serve the ends of peaceful commercial industry.
She was a blonde nearly young American woman of such dynamism that the tideless waves struggled to get farther up the beach.
She wishes her grandmother had not been so protective, and that she understood better what passes between a man and woman. As it is, she simply enjoys the feelings and wonders if they are what lightning is made of, for everything comes back to the weather. Tears like rain. Smiles like the sun. Hair as dry as sand and fear like the dark ocean.
Julie Taymor. She is my gold standard of stage directors. I think she has a comprehensive knowledge of theatrical form, since she lived in Indonesia, Java, Japan and France. Her knowledge of form is limitless. Whenever I get painted in a corner, I think about what form she would use, because that is what she practices. It's about accessing the theater traditions of the whole world.
The Shell The sea fills my ear with sand and with fear. You may wash out the sand, but never the sound of the ghost of the sea that is haunting me.
Now any person who plays an acoustic guitar standing up on stage with a microphone is a folk singer. Some grandmother with a baby in her arms singing a 500-year-old song, well, she's not a folk singer, she's not on stage with a guitar and a microphone. No, she's just an old grandmother singing an old song. The term "folk singer" has gotten warped.
I have watched the river and the sea for a lifetime. I have seen rivers rob soil from the roots of trees until the giants came foundering down. I have watched shores slip and perish, the channels silt and change; what was beach become a swamp and a headland tumble into the sea. An island has eroded in silent pain since my boyhood, and reefs have become islands. Yet the old people used to say, People pass away, but not the land. It remains forever. Maybe that is so. The land changes. The land continues. The sea changes. The sea remains.
I look deep into her rich brown eyes and she look into mine. Law, she got old-soul eyes, like she done lived a thousand years. And I swear I see, down inside, the woman she gone grow up to be. She is tall and straight. She is proud. She got a better haircut. And she is remembering the words I put in her head. Remembering as a full-grown woman.
I stare at her chest. As she breathes, the rounded peaks move up and down like the swell of waves, somehow reminding me of rain falling softly on a broad stretch of sea. I'm the lonely voyager standing on deck, and she's the sea. The sky is a blanket of gray, merging with the gray sea off on the horizon. It's hard to tell the difference between sea and sky. Between voyager and sea. Between reality and the workings of the heart.
Like an old gold-panning prospector, you must resign yourself to digging up a lot of sand from which you will later patiently wash out a few minute particles of gold ore.
To me there is something completely and satisfyingly restful in that stretch of sea and sand, sea and sand and sky - complete peace, complete fulfillment.
I've never seen the point of the sea, except where it meets the land. The shore has a point. The sea has none.
America was still a land of wonder. The ancient spell still hung unbroken over the wild, vast world of mystery beyond the sea,-a land of romance, adventure, and gold.
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