A Quote by Ali

It was director Krishna Reddy who introduced me as a hero. All my films with him have been very successful. — © Ali
It was director Krishna Reddy who introduced me as a hero. All my films with him have been very successful.
"In the beginning was the word" and that's the thing about Krishna, saying Krishna, Krishna, Krishna, Krishna, so it's not the word that you're saying, it's the sound: Krishna Krishna Krishna Krishna Krishna Krishna and it's just sounds and it's great.
I love Krishna Vamsi very much as a director, and after working with him, I also started to like him personally.
I have done several films and it is only if the character appeals to me, whether as a hero or as a second hero, that I go for it. That's been my attitude toward films.
Very early on, I was writing stories, and I was amazed at Spielberg's movies when I was young. Coming from the countryside, I was so impressed with the way he was able to tell stories and the way he was able to deal with le merveilleux - the wonders. Very quickly, he became for me a massive hero, and he introduced me to the world of a director.
When you see the violence of Hollywood movies, there is a tendency that the hero is combating and confronting many people, without much harm to himself. But in my films, the hero takes a lot of hits so the very act of the hero being the one on the receiving end, makes the audience cheer and connect with him.
Why should God be limited? Even if you get Him as Krishna, He is not limited to that picture of Krishna. He can be the baby form, He can be Govinda and manifest in so many other well-known forms. You can see Krishna as a little boy, which is how I like to see Krishna. It's a joyful relationship.
When I worked as an assistant director in 2007, Indraganti Mohan Krishna offered me a lead role. Now, the same director has made me a villain in 'Gentleman.'
It's amazing how you meet people through other people. I knew a racecar driver, Stefan Johansson, who was very hot. He introduced me to Jean Todt. He introduced me to a French doctor. He introduced me to a French architect who redid the Louvre with I.M. Pei. He introduced me to Daniel Boulud.
My journey with Krishna Vamsi had started with revenge and ended with love. When I went to Krishna Vamsi's office to work as an assistant director, I was sent out. Then I had thought they might one day need me.
I'm very happy to be a part of a very successful piece of art, as the 'Saw' films have been. One gets into this to participate. It's the coming together of a good story. So, that aspect of it has been just splendid. It really has nothing to do with me or my popularity. I'm fascinated.
Krishna Vamsi is a very good director.
One who loves Krishna will give Him whatever He wants, and he avoids offering anything which is undesirable or unasked for. Thus, meat, fish and eggs should not be offered to Krishna...Vegetables, grains, fruits, milk and water are the proper foods for human beings and are prescribed by Lord Krishna Himself. Whatever else you eat, can not be offered to Him, since He will not accept it.
Prabhupada said, “Whatever service one does for Krishna, Krishna never forgets! Krishna will always remembers that service, however insignificant. Even if he comes to the temple and he turns one screw for Krishna, Krishna will never forget.”
In feature films, I used to be the hero's friend, a regular character. In short films, I played the hero; I got roles where I could work on my character and performance. They made me aware of myself as an actor.
I was labelled a jinx. No one wanted to work with me. I was home for about six to eight months without any films. I did modeling. In fact, at one point, I contemplated quitting films. That's when director Ameer called me for 'Paruthiveeran' and I cannot thank him enough for it.
I am probably the only actor who came from television serials to films and was able to work in films this long. Of the 75-odd films I've done, in around 40 of them, I've been the hero.
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