A Quote by Ali Fazal
I have always felt that just to show love, you don't have to make two people do intimate scenes. That is not the idea of 'I love you.'
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How long will we show birds and bees in love scenes? The world has moved on and we should portray intimate scenes realistically.
Normal People' is an incredibly intimate show, there are a lot of love scenes in it and it's beautifully done.
What do marriage vows show? They show that you may want to separate sometime in the future. If there is love between two people, the thought of taking vows never arises. This is only an indication of the absence of love. People do not marry out of love; they marry out of fear. If there is love on this earth, marriage will become redundant. When love is not, marriage is a must. We make arrangements for that which we cannot do. We make rules for that which we are not sure of.
When I was shooting 'The Dark Knight,' I always felt like I was shooting an intimate drama for some reason. The scenes were all intimate, and they were always between a few individuals.
It took two," I said. "Two different people to make the Heartwood what it is. Two different experiences, grief and joy, combined. True love never has just one face, does it? It must always have two, or it isn't true love at all.
I think the most important thing is to leave people inspired to do something, to realize their purpose in life. I want people to show love to each other. What I love about performing live, and especially in smaller intimate venues, is the real connection you have with the fans that you can't get in a studio or a big arena. It allows me to have real moments with my fans. I just want the night to be filled with good energy, love, and for people to leave the show happy.
We did two nights at a place in Southern California that only holds about 500 people. It was really intimate... Everyone was in lingerie... OK, every time someone says a show was intimate, my head always goes there.
When I was on 'The Golden Girls,' we'd have eight scenes per show. And when 'Seinfeld' came along, they went to, like, 30 scenes a show, which was revolutionary. 'Arrested Development' has probably got 60 scenes per show. It just keeps emerging as this more and more complex thing. I always try to keep it very simple at its heart.
It's really an honor when you're creating a fictional show that changes people's lives. That's what I love about this industry. There's always potential to do that to influence people's lives. I always felt a sense of responsibility to try to make that a positive experience.
I always felt there was a kind of humanistic impulse in my thinking about film as well as a real interest in its formal and aesthetic properties - just this idea that it can bring you into a very intimate encounter with people.
I love it when characters surprise you, just like real people. When I write a scene I just try to make the characters behave in a way that feels natural to them. Sometimes that means they make a left turn and do something unexpected. Those are always the best scenes in my opinion.
Love scenes are always weird, though. They're always uncomfortable. It's all the people around who make it uncomfortable. It's not usually the actor you're working with, because they usually feel just as weird as you do!
I think I've learned how to be a better boss. I'm the one running the show now, and in the past, I've always kind of been looking at other people to make the decisions. I feel more confident to run not just my show, but behind the scenes, too.
Everything is just make believe. They're just different versions of make believe. I love the period of this movie [The Finest Hours]. I love the '40s. I love the '50s. I love the style of the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the lights and the cars. I'm in love with all of it.
Some people have interpreted the title of the show - 'Love' - as ironic. For me, it's sincere. The idea that we have to agree with love is a genuine statement about love.
To be an actor and a director, I actually felt it helped me tremendously to be in the scenes of The Hollars, because as you can see, they're very intimate, very intense scenes. You don't want to break the actor's character and you don't want to break their momentum, so as the actor, I tried not to call cut as much as I could, and almost make it feel like a play, just set this environment where these amazing actors could do what they wanted to do.
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