A Quote by Ali Fazal
I see myself and my contemporaries being part of some good work in Bollywood.
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I want to do Hindi films, but a proper one and a good production. I'm even open to multi-starrers because those work better in Bollywood. But it should be with only Bollywood technicians, not the South Indian team. There's no point to my going to Bollywood if I work with the same artistes and technicians.
I've got bills to pay like everyone else. I'm a high-earner but I don't see myself as rich. I know in some people's eyes I probably am, but I will always have to work. My son Matt asked me if we were rich the other day and I told him that in my view, being rich is not having to get up to go to work. I can't see myself ever being in that position.
I don't see myself being perceived as a Bollywood star and I wouldn't want to be that either.
I don't see myself as some kind of lone figure standing out there and doing my work in solitary splendour, but as part of the human condition and part of the continuum of writers.
If you have a meaty part to play, I don't see the harm in being part of multi-starrers. Moreover, I will be happy to be a part of a good film than playing lead roles in some bad films.
All the work I do is personal, so the good stuff and the bad stuff that you see in there is all good stuff and bad stuff that I have, and part of the journey, for me, has been to embrace these things that I find embarrassing about myself: my stubbornness, my ego, my maudlin-ness - these things that I see myself do, and I go, 'Oh, David, stop that!'
I am not a part of Bollywood. Nobody cares about me in Bollywood and I have mentally resigned from Bollywood long ago. I am an independent filmmaker.
A film like Genevieve to my contemporaries is not a film made years ago, but last week or last year. They see me as I was then, not as I am now. I am the reassurance that they have not changed. In an upside down world, with all the rules being rewritten as the game goes on and spectators invading the pitch, it is good to feel that some things and some people seem to stay just as they were.
I am greedy for both Hollywood and Bollywood. For me, Bollywood is not new, as it is something that I grow up on... I know the plot... stories and characters that are written and made. I haven't got the right opportunity to show my work in Bollywood.
I don't see myself only as a member of the New Orleans community. I see myself as a part of the human community. I see myself as a part of the community that's trying to put things in the world that add value to people's lives.
I don't see myself as a rock star. I don't see myself in that way. I'm interested in work that offers some sort of critical dialogue.
Earlier Bollywood was a fly-by kind of business which few wished to be involved in. Now Bollywood is good business and everybody wants to be associated with films. This is definitely a very significant change that I have seen in Bollywood.
At some point, I get a weird feeling, and that's when I know it's done. I probably ruin a lot of really perfectly fine things. So part of working on paper, and trying to work really fast, is to see if I can expand the area of not being driven by taste. Not saying, "This looks good, I'll stop."
It was a little harder when I first went to Egypt when I was 18 years old and being a white woman with a knapsack and in blue jeans. But again I was part of the rucksack revolution there was some grace there. You could put it that way. And confidence as well because I thought of myself as a poet. That was part of it. I was going for that, to have experiences to make the work.
I haven't isolated myself. I am not living on a yacht somewhere. I am not tucked away or behind a gate somewhere. I am not flying on a private plane. I am going to the airport, I am with people, some of the interactions are good, some of them are not so good, but it keeps me in touch with being, you know, part of society.
I think that part of being a good journalist, part of being an awake member of the world you're in, is to view yourself as an outsider, and I always have, to some degree.
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