A Quote by Ali Fazal

For someone who works in theatre, the rehearsal is where you discover everything. It is where magic happens, where the script enters you and becomes part of you. — © Ali Fazal
For someone who works in theatre, the rehearsal is where you discover everything. It is where magic happens, where the script enters you and becomes part of you.
Yes, it is a rehearsed show, yes, it was analogy of going to see a play at the theatre, where everything has to be in place and whole things, everything being works, all works together to get the best effect you know it's more like an actor learning a part.
When you're rehearsing, you get really inspired in the beginning, but then it becomes repetitious and you lose the magic. How do you get the magic again? The magic happens when you're not pushing it.
You discover a lot of things on your feet and if you don't have any rehearsal, then anything that happens on the screen is by accident.
I started - well, in England it works a little bit differently. You have to do Fringe theatre, which is basically free theatre. You do it in pubs and small theaters and village halls across the country, and you work for a theatre company. You're part of a troupe.
The stuff that is done on Broadway is hardly theatre. It is part magic show, part rock concert, and part conjuring things.
As I loosen my grip on the past, as I keep taking one small step after another in the direction I want to go, I discover I'm being supported and guided after all, and that as soon as I'm willing to embrace change, something or someone comes along and shows me how. Magic wasn't something I had to go in search of; it was here within me, all the time. When hearts are open, when love is flowing, magic happens.
We brainstorm an idea and then we do flesh it out a little bit - we come up with a script, mostly to have beats and a sense of a story and a narrative arc. Often when we get into the space and onto the location, that changes and something we discover in the moment becomes the moment, becomes the story, becomes the character.
I think everything that happens to you becomes a part of what you end up doing and being and standing for.
I think rehearsal can be important if it's done in a way that works. Often, rehearsal can be a waste of time.
So many dancers rely on some sort of magic happening on the stage. They never, for various reasons, work full out in rehearsal. That's very uncreative. They don't discover the kinds of things that add up to a remarkable performance.
Theatre has been a part of my life since before I can remember - my dad is also an actor and a director and a storyteller who lives and works in the Twin Cities; my mom is a nurse practitioner, but she also grew up doing theatre - so, it has always been a part of my experience.
I don't rehearse films as much as opera or theatre. When I began directing films I thought a long rehearsal was a good idea. Experience showed me that the best performance was often left in a rehearsal room.
One way can be learned by starting to see the magic in everything. Sometimes it seems to be hiding but it is always there. The more we can see the magic in one thing, a tiny flower, a mango, someone we love, then the more we are able to see the magic in everything and in everyone. Where does the mango stop and the sky begin?
As for theatre, there's ups and downs to everything. Theatre is ephemeral. But that is part of its charm because you can always say the production was better than it was.
I am essentially someone who comes from the theatre. I love the theatre. Unfortunately, theatre doesn't pay the bills. Only in theatre abroad, I get a wage.
If you read a script enough, especially a good script - I try to read it 40 to 50 times before you begin so you get a sense of the arc: what happens before, what happens after, what happens during.
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