A Quote by Ali Krieger

Everyone makes fun of my calves. They are so big. I don't really even like them, I don't really want them as big as they are, but I have no choice. — © Ali Krieger
Everyone makes fun of my calves. They are so big. I don't really even like them, I don't really want them as big as they are, but I have no choice.
For me, lipstick itself is an accessory. I like red, but I really have to be in the mood for it because it makes my lips look really big. I usually will match it with my outfit. I also love a good lip liner - I'm telling you, when I put on the lip liner, it just makes them look even better. I'll do everything. I want big, big, big.
I want[ed] to make a show of really big pictures, because you see male artists doing it all the time. It just seemed like such a big egotistical thing. I thought, 'I don't know that many women that really do that.... Damn it, I'm gonna do that-make this really big picture.'
Coming to New York is like a big hug, everyone is so welcoming. There's something about here, everyone makes you feel so at home. I miss my family of course, but I don't miss London that much. I was worried, but I feel really at home. Everyone says that who comes here from London, but I didn't believe them.
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for, in a way. They wanted it to be something special. None of us were really known then, as well. It felt like a big deal, at the time.
The core to what makes Fincher really interesting - all the technique and all that, that is not in the center even if it's a big big part - what is in the center is the characters, and he really is interested in that.
A lot of celebrities, especially when you're talking about the really big ones, live in what I call the fame bubble. Nobody ever says no to them or challenges them or even teases them.
I'm just really supportive of everyone - even though I believe that things should be equal, people have different circumstances in their life that have taught them to be who they are. Even if I don't agree with them, I don't judge them. I'm a really non-judgmental person.
A really great reception makes me feel like I have a great big warm heating pad all over me. People en masse have always been wonderful to me. I truly have a great love for an audience, and I used to want to prove it to them by giving them blood.
I certainly didn't say while writing 'Gossip Girl,' 'Oh this is going to be big!' It was really like, 'Oh god, everyone's gong to hate these people! They're so bratty!' But I actually think what is so appealing about them is the humor in them.
I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.
When you ask a guy, 'Are you gonna take a fight if your opponent doesn't make weight?' Is it really asking? Does he really have a choice? When you back them into a corner like that, is there really a choice to be made?
On a simple level, you need directors who are good at action and can choreograph an action scene, but you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It's a very big thing.
I'm really excited to share the movie [Swiss Army Man] with people, so I'm glad that people are seeing it. And I want them to, because I think it's a really fun movie to experience sitting next to people. It makes it funnier. It makes it more comfortable. It makes it sweeter.
I feel like people want to be surprised when they get out of the movies. They want something thrown at them they didn't expect. They want stuff that reminds them of the feelings that you get when you're watching art house movies but with the fun of like a big summer movie. That's the goal, I guess.
My mother says that pain is hidden in everyone you see. She says try to imagine it like big bunches of flowers that everyone is carrying around with them. Think of your pain like a big bunch of red roses, a beautiful thorn necklace. Everyone has one.
With comics, you always talk about a big break, but there are a lot of big breaks in your life and not one of them makes a big difference.
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