A Quote by Ali Partovi

The idea that a musician can submit music online for the chance to have it promoted to a nationwide audience is the American dream come true, and a major step toward democratizing how music is discovered.
To be able to wake up and know I get to do music every single day - arrange music, compose music, write music and to be with my four best friends in the world, and just to go and do performances and to tour, it's honestly a dream come true.
It's a dream come true, and with this music, with this Rossini, it's unbelievable how to express the joy and express the joy of the situation and the joy to play this music, to sing this music, it's really fantastic.
There are just so many people making music out there. I've always promoted the idea that everybody needs to make music. I think the more music there is in the world, the better, but it does make it highly competitive.
Inventing your dream is the first and biggest step toward making it come true.
May not music be described as the mathematics of the sense, mathematics as music of the reason? The musician feels mathematics, the mathematician thinks music: music the dream, mathematics the working life.
When I read about Gram Parsons' dream of this Cosmic American Music when I was in my late teens, that stuck with me: that idea, that ambition, to draw off the roots of music but take it somewhere fresh.
I mean even I don't know how to buy music online. I go on a music- streaming site or an online music store, there are so many steps you have to go through, before you get to download the song. Then, if I have made my account, then I forget my password daily.
Independent music gives a musician that chance to narrate their personal journey through music.
I think I'm really part of a whole generational movement in a way. I think a lot of other people since and during this time have gotten interested in writing what we can still call experimental music. It's not commercial music. And it's really a concert music, but a concert music for our time. And wanting to find the audience, because we've discovered the audience is really there. Those became really clear with Einstein on the Beach.
Most people define themselves by what they do - 'I'm a musician.' Then one day it occurred to me that I'm only a musician when I'm playing music - or writing music, or talking about music. I don't do that 24 hours a day. I'm also a father, a son, a husband, a citizen - I mean, when I go to vote, I'm not thinking of myself as 'a musician.'
I am a musician. My passion for music has obliterated everything in its path for my entire life. Whenever there was a choice between music and anything else, music won hands down every time. No one person or material thing could ever come close to the feeling I get when the music is right.
The only reward the musician receives is music: the privilege of standing in the presence of music when it leans over and takes us into its confidence. As it is for the audience. In this moment everything else is irrelevant and without power. For those in music, this is the moment when life becomes real.
I love music, I make films with music, I eat with music, I sleep with music, I think with music. Music makes me dream, it strengthens my creativity.
I love music, I make films with music, I eat with music, I sleep with music, I think with music. Music makes me dream; it strengthens my creativity.
All my books are about one major idea and two or three subsidiary ones. I have thought a lot about music when constructing books, and I like the way in music that themes come back.
Without an audience, all your dreams will not come true at all, because you need an audience to write new songs and continue to do music.
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