A Quote by Ali Shaheed Muhammad

I do think that hip-hop has a relationship with comic book culture, and Kung Fu movies too, for that matter. — © Ali Shaheed Muhammad
I do think that hip-hop has a relationship with comic book culture, and Kung Fu movies too, for that matter.
To make a kung fu film is like a dream come true, because I'm a big fan of kung fu movies and I'm learning kung fu for a long time.
When I was a kid, I loved watching kung fu movies - in San Francisco, we had 'Kung Fu Theater' on TV on Saturdays, and they'd air old Shaw Brothers movies with English dubbing, things like that.
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
Hurdling is like Kung-fu. Everyone comes from a different school. And everybody says 'my Kung-fu is better than your Kung-fu.' You have to find the technique that best fits your body size.
I was the black kid in school who'd skate and wrestle, who was really into outer space and botany and kung fu and hip-hop. I was into everything.
I think that hip-hop should be spelled with a capital "H," and as one word. It's the name of the culture, and it's the name of the identity and consciousness. I think hip-hop is not a product, but a culture. I think rap is a product, but when hip-hop becomes a product, that's slavery, because you're talking about people's souls.
Me and hip-hop have a relationship that has nothing to do with no other rapper, no matter where you from or nothing. Every n*gga got his own personal relationship with hip-hop and this is mine.
Hip hop fans are obsessed, and they're geeks about hip hop. Comic book fans are also geeks, and when you can meld the two, then you open the world up to, I think, communities that will just take to each other.
Skateboarding is a part of Hip-Hop culture. I think it's the fifth element of Hip-Hop - emceeing, deejaying, b-boying, graffiti, and skateboarding. Skateboarders live and die on the streets. It's expression - it's everything that Hip-Hop is.
I think that hip-hop should be spelled with a capital "H," and as one word. It's the name of our black people culture, and it's the name of our identity and consciousness. I think hip-hop is not a product, but a culture. I think rap is a product, but when hip-hop becomes a product, that's slavery, because you're talking about people's souls. To me, that's the biggest problem.
You're asked, 'Do you know kung-fu?' Yeah. That's what we do. We wake up, we brush our teeth, we do kung-fu!
He was never a kung fu guy. Now, he's Mr. Kung Fu. Oh, man. Even Chow Yun-Fat gets typed!
Kung fu: You've got to spend your whole life at it before you're kung fu.
Take emceeing, one of the foundations of hip-hop culture. A guy grabs a mic, steps up on stage and becomes a spokesman; the voice of the people. If anything, that might be the strongest similarity between hip-hop and comic books, with super heroes, like many rappers, fighting to make a change.
In this time, we incorporate money and media, and it's split up like apartheid, where when you say "hip-hop," you think just rap records. People might have forgot about all the other elements in hip-hop. Now we're back out there again, trying to get people back to the fifth element, the knowledge. To know to respect the whole culture, especially to you radio stations that claim to be hip-hop and you're not, because if you was a hip-hop radio station, why do you just play one aspect of hip-hop and rap, which is gangsta rap?
My role in kung fu - in the art of kung fu, not the series - is not as a practitioner. My role is that of an evangelist, which is an entirely different thing.
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