A Quote by Ali Smith

I wouldn't call my work Modernist. I would rust if I try to think about labels. I'd feel like the Tin Man in 'The Wizard of Oz.' — © Ali Smith
I wouldn't call my work Modernist. I would rust if I try to think about labels. I'd feel like the Tin Man in 'The Wizard of Oz.'
I wouldn't call my work Modernist. I would rust if I try to think about labels. I'd feel like the Tin Man in 'The Wizard of Oz.
I loved 'The Wizard Of Oz.' It was, like, you know how some kids, they're crying, and they put on - people put on 'Frozen' to get them to chill and just be quiet? For my family, it was 'The Wizard Of Oz.' They would literally tell babysitters, if she gets - like, if she starts misbehaving or she starts acting crazy, just put 'The Wizard Of Oz' on.
With Ed Wood, it was this sort of blending of Ronald Reagan, the Tin Man from 'The Wizard of Oz,' and Casey Kasem.
One year, my family and I dressed up in the theme of 'Wizard of Oz' for Halloween. We all went as the different characters. I was the Tin Man!
I can't imagine how much time it took Matt Bucy to cut up 'The Wizard of Oz' and reassemble every word of dialog into alphabetical order. The resulting movie is called 'Of Oz the Wizard.'
I believe deeply in a common humanity. The black man belongs to the family of man. One part of that family is out of control - like a virus or cancer - and that is the white man. He and his technological society are bent on destroying the world. Everywhere the white man has gone with his empire, he has destroyed people, races, societies, cultures, and in the course of it, has sterilized himself. He is completely the mechanical man: without heart, without soul. He is the Tin Man of The Wizard of Oz. But I don't believe that all the white people in the world are no good.
This morning I lay in the bathtub thinking how wonderful it would be if I had a dog like Rin Tin Tin. I'd call him Rin Tin Tin too, and I'd take him to school with me, where he could stay in the janitor's room or by the bicycle racks when the weather was good.
I think, hands down, the number one person I would love to have in a video is Beyonce. I think the perfect video for me - I could die happy and I could never make a YouTube video again - would be to do a video called 'Bey-Oz-ce' and mix 'The Wizard of Oz' and Beyonce together because those are my two favorite things in the world.
Naming is like putting a stamp on something and fixing it. A kind of formaldehyde sort of fixation, but it becomes dead, sitting there forever, frozen. So, I'm not a great one for these modernist, post modernist, post colonial labels. I think they serve certain purpose. You do need some kind of sign post here and there, but it can also become an end in itself.
Imagining [The Wizard of Oz] without Judy Garland is a bit like dancing on wet cement: you can do it, but why would you want to?
I like to read to my kids before bed. With my first two sons we went through every Wizard Of Oz book, every original, Frank Baum Oz book.
If the Wizard of Oz were real he would be in Hollywood.
Baum (Writer of THE WONDERFUL WIZARD OF OZ) was a true educator, and those who read his Oz books are often made what they were not-imaginative , tolerant, alert to wonders, life.
I've always been a bit of a clown. But I think the seminal moment was when I was sixteen, and I auditioned for a little production of The 'Wizard of Oz,' and I was like, 'Clearly I'm Dorothy!' And they were like, 'We'd like you to play the Wicked Witch.'
I wanted to work with Bert Lahr [the 'Cowardly Lion' in 'The Wizard of Oz'], and I did.
I would watch 'Wizard of Oz,' like every day, when I was two. I had a hard time understanding that I couldn't go into the film, because it felt so real to me.
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